A Quote by Donnie Yen

Like any other actor, I draw on life experience. — © Donnie Yen
Like any other actor, I draw on life experience.
When you're an actor or any kind of artist, you use your life as something to draw from in every experience.
But that's not what an actor does. An actor finds things in the moment with a director and other actors that you don't have time to hand-draw or animate with a computer.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays.
I was emotionally and physically punched in the stomach. This is not a place where you go and deliver the lines and then you come back. It's kind of a life-changing experience. But it can't get better than this for any actor - this is like an opera.
It instantly felt like, for me as an actor that I justified, I was able to draw a direct relation between Chris the actor and being George Washington.
The other, the other aspect when I say I'm an actor is that as an actor you make this imaginative leap into being somebody else, that's to say the muscle of the imagination is as important as any other of the muscles in your body, and so it is something about this instinct in space and time which for me I associate with being an actor rather than a director.
In most societies birth has been an experience in whichwomen draw together to help each other and reinforce bonds in the community. Now that eradication of pain with effective anesthesia is often the only issue in any discussion of birththe sacramental and social elements which used to be central to women's experience of birthseem, for an increasing proportion of women, to be completely irrelevant.
I am running against no one. I'd like to be President. I think my experience and my record are greater than any other candidate or any other of the unannounced candidates. It's a real challenge, and that's one of the paramount things. When people keep telling you that you can't do a thing, you kind of like to try it.
Everything in life, is a question of drawing a life, John, and you have to decide for yourself where to draw it. You cant draw it for others. You can try, of course, but it doesn't work. People obeying rules laid down my somebody else is not the same thing as respecting life. And if you want to respect life, you have to draw a line.
I had said bye-bye to acting, in a way, but once an actor, always an actor. Life has got other plans for me. Like, I did not want to be an actor - I wanted to be an architect or astronaut - and 'Daddy' happened, and the rest is history.
The first state an actor experiences onstage is the one he just experienced in life. One needs great courage not to portray this experience. One must surrender entirely to the power of one s artistic nature. It will do all the necessary things. Do not impose any solution upon yourself in advance. The quality to develop in an actor is courage.
I mean the most important thing you can have as an actor, writer, director, or whatever you are, poet or whatever it is, is life experience. Life experience doesn't mean you have to live 50 years to have it. I mean you know a lot of people have huge life experience by the time they're in college.
When we see that we are not made up by the other's experience, we then have the capacity not to take responsibility for what is now genuinely and for the first time not ours. And as a result, we can get just as close to the other's experience (even the other's experience of how dissapointing, enraging, or disapprovable we are!) without any need to react defensively to it or be guiltily compliant with it.
I draw because words are too unpredictable. I draw because words are too limited. If you speak and write in English, or Spanish, or Chinese, or any other language, then only a certain percentage of human beings will get your meaning. But when you draw a picture everybody can understand it. If I draw a cartoon of a flower, then every man, woman, and child in the world can look at it and say, "That's a flower.
An actor must interpret life, and in order to do so must be willing to accept all the experiences life has to offer. In fact, he must seek out more of life than life puts at his feet. In the short span of his lifetime, an actor must learn all there is to know, experience all there is to experience, or approach that state as closely as possible. He must be superhuman in his efforts to store away in the core of his subconscious everything that he might be called upon to use in the expression of his art.
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