A Quote by Donnie Yen

I act according to the requirements of the character, and if I try to play the role, then I play it truthfully. In my daily life, I'm a laid-back, peaceful guy. I'm just doing my job to act.
My only job is to act and play the character truthfully and honestly.
I never like to judge the character. I just have to leave my feelings of pity, or fear, about a character - whatever I feel towards the character, I try to leave to one side. It's good to have them, but it doesn't help me. I can't act those things. I just to play the character as truthfully as I can.
I have finished school and so it's becoming a real job, and as an actor, you cannot always just play roles. To me, it's important to live, to be who I am and then to get out of that, because when you play a role, it's always a bit of yourself. Okay, you can get some things, but that's why it's so important to gain life experience in order to act - it's important to care about this.
The approach to acting is always the same, you try to figure who the guy is and then you try to transition your way into his way of thinking and moving through the world. The rest of it is just accoutrements, you don't play the makeup, you play the guy. If you're not wearing makeup, you just play the guy.
I'd like to play a guy who doesn't think so much. I'd like a character whose words come out before he thinks about it. I want a character who is just kind of dumb in that way. A guy who doesn't have too many dangerous, devious ideas. It would be fun to play a role like that.
I feel like it's really important for an actor to play different roles so people can see, "Oh, he can play that guy or he can play this guy." You're not just "THAT guy," that cowboy guy, that whatever guy. Then you are limiting yourself.
Being a correspondent on 'The Daily Show' is some combination of doing a character and doing stand-up. It's a juggling act to find a balance between being you and playing a role.
The Civil Rights Act of 1964 laid the foundation for the Voting Rights Act of 1965, but it also addressed nearly every other aspect of daily life in a would-be free democratic society.
Remember that you are an actor in a play, and that the Playwright chooses the manner of it: If he wants you to act a poor man you must act the part with all your powers; and so if your part be a cripple or a magistrate or a plain man. For your business is to act the character that is given you and act it well. The choice of the cast is Another's.
My job is to be a role model, and that's what I want to do, but my job isn't to be a parent. My job isn't to tell your kids how to act or how not to act, because I'm still figuring that out for myself. So to take that away from me is a bit selfish. Your kids are going to make mistakes whether I do or not. That's just life.
I think you have to experience life and then pull certain experiences into your act and your character's life, whoever you play, so you're full.
The first thing I wrote was a one-act play that got accepted at a one-act play festival, and I was in it along with Nathan Lane and a couple of other very good actors.
Don't play an attitude; don't play a guy who's negative. Play a guy who's not trying to sell anybody on anything, he's just saying how it is and if you want to come by what he's thinking, you're welcome. If you do not, then do not.
If you look at the rest of my stuff, I always play characters that kind of don't look like me, 'cause I love transforming into someone else. I love being able to act, work and act, and then doing it under the radar.
I have no acting technique I act instinctively. That's why I can't play any role that isn't based on something in my life.
I don't have one specific dream role: I'm an actor, so I want to play everything. In this business, they'll pigeonhole you in two seconds if you're great at the role you play. Everyone assumes that you're really just like that character.
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