A Quote by Donnie Yen

Still, as much as I wish Ballistic Kiss could be a better film, the recognition it gained from critics and at festivals speaks for itself. — © Donnie Yen
Still, as much as I wish Ballistic Kiss could be a better film, the recognition it gained from critics and at festivals speaks for itself.
Film festivals are a great vehicle for gaining an audience for your film, for exposure for the talent in the film and for the film makers to leverage opportunities for their films. I love the energy that film festivals bring.
This worldwide spread of recognition is insane. I was brought up in a small country. If you made a Swedish film that just got into a film festival somewhere, that was like the biggest thing you could wish for.
Oh! might I kiss those eyes of fire, A million scarce would quench desire; Still would I steep my lips in bliss, And dwell an age on every kiss; Nor then my soul should sated be, Still would I kiss and cling to thee: Nought should my kiss from thine dissever, Still would we kiss and kiss for ever; E'en though the numbers did exceed The yellow harvest's countless seed; To part would be a vain endeavour: Could I desist? -ah! never-never.
If film critics could destroy a movie, Michael Bay and Adam Sandler would be working at Starbucks. If film critics could make a movie a hit, the Dardenne brothers would be courted by every studio in town.
India as a film-making nation has gained recognition, at last, at most important Western and Far Eastern forums.
We all wish we were better. I wish I were a better artist, wish I were a kinder person, wish I were all kinds of things. But we're stuck with ourselves. I have good friends. And that in itself convinces me that I deserve to live.
It's not a big deal to send a film to the festivals, but yes, winning an award is huge. When you send a film at festivals, people talk about you and your work, and one gets great exposure.
When critics love your film, you love critics. When they hate your film, you hate critics. It's the same everywhere, but maybe especially in France, where we have pretty good critics, except for three or four newspapers that are really dogmatic.
Quality cinema is not changing anything, everything is the same. The artistes and other people involved in these films get some recognition at international film festivals and award shows only.
I don't have any bone to pick with critics. In fact, if I wasn't a filmmaker I would probably be a film critic. Most of my bone is I would be a better film critic than most of the film critics I read.
I think that film festivals, we're very often given to understand, are about filmmakers and about films and about the industry of filmmaking. I don't believe that they are, I believe that film festivals are about film audiences, and about giving an audience the encouragement to feel really empowered and to stretch the elastic of their taste.
I wish- I wish I could dry these tears, I wish I could make this better for you. But I don't know how.
I could stand up and go to her and kiss her. I could. But there is still too much to be ruined.
I'm sure it's not any wish of mine that I'm born with inclinations for better things. If I could be born again, and had the designing of myself, I'd be born the lowest and coarsest-minded person imaginable, so that I could find plenty of companionship, or I'd be born an idiot, which would be better still.
I built my [early] career on negative reviews. There was a cultural war going on, the '60s was going on. All the film critics were square. They hated my movies. You could never have that happen today. Critics are way too hip.
We are still not in the Rock & Roll Hall of Fame but there are 3,000 Kiss products, a Kiss musical toothbrush, everything from Kiss caskets to Kiss condoms. There are no Radiohead condoms.
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