A Quote by Donnis

The people in Atlanta, they're not really up on the blogs. A few people are, but it's not super crazy. In Atlanta it's still very much radio. When they hear it on the radio, that's what it is.
When I was traded from the Oakland A's to the Atlanta Braves before the 2005 season, a childhood dream was realized. I grew up a Braves fan just a few hours south of Atlanta, and it was hard for me to believe that I was going to actually play for the Atlanta Braves and legendary manager Bobby Cox.
I live in Atlanta because Ludacris lives in Atlanta. And because T.I. lives in Atlanta and because Lil Wayne comes to Atlanta to hang out all the time and because Rick Ross' engineers are in Atlanta.
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
I grew up in the suburbs north of Atlanta. I had an amazing childhood, and I still go back to my home in Atlanta often.
I think people who say radio is gone or radio is irrelevant are way off the mark. It's still by a huge degree the dominant medium. I know it's changing but radio is still incredibly important.
Atlanta is not the South. Atlanta is not the South, gotdamn it, when you go to Atlanta what does your clock say? When you get off the plane from Los Angeles or Texas, what time do it be over there? Atlanta is East Coast time. You niggas ain't in the South.
Growing up in Atlanta, it brings a particular swagger about a person. There are three or four places in the country where people think of fashion: One is LA, obviously. Another is New York. And I think Atlanta has to be in the top five cities where fashion is very big.
I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I was really only around country music on the radio, and I think because I grew up so close to Atlanta, and R&B was such a big part of that culture, by proximity I think a lot of that music influenced me without knowing it.
Radio, or at least the kind of radio we're proposing to do, can cut through that. It can reach people who would otherwise never hear your work, and of course I find that very notion inspiring. Radio stories are powerful because the human voice is powerful. It has been and will continue to be the most basic element of storytelling. As a novelist (and I should note that working my novel is the first thing I do in the morning and the very last thing I do before I sleep), shifting into this new medium is entirely logical. It's still narrative, only with different tools.
There's not much radio in the UK, really. In America, you're in a car, factory, wherever, and you turn the dial on the radio, and can hear about a million stations. Hardly any in England.
It's quiet. No cars. No birds. Nothing.' 'No radio waves,' said the Doctor. 'Not even Radio Four.' 'You can hear radio waves?' 'Of course not. Nobody can hear radio waves,' he said unconvincingly.
I can go down to Atlanta any time I want, I grew up in Atlanta.
I'm just trying to bring the sound from Atlanta over to the mainstream radio in a way that everybody can enjoy.
I'm from Atlanta, but I don't really consider myself an 'Atlanta rapper.'
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