A Quote by Donnis

Artwork is super-important, that's why my videos are the way they are. — © Donnis
Artwork is super-important, that's why my videos are the way they are.

Quote Author

Whenever I work on an album and the time comes to do all the artwork, the only thing I think of is the LP artwork. When we worked on the 'Electric Trim' artwork, we spent weeks and weeks making the LP artwork great, and then the CD artwork came together in a day or two. The LP is what's important to me.
In a sense, the artwork is the most important thing in getting somebody to buy a book. The person probably won't buy a book if he doesn't like the artwork. Once you buy it for the artwork, you hope that the story will also be good.
I was super-obsessed with cover videos. When I was, like, 10, I would come home from school and watch them from 4 o'clock until 8 o'clock every night. I was so intrigued that people took these super-popular songs and did them their own way.
There's generally no good reason why others should care about most of any one artist's work. The function of the overwhelming majority of your artwork is simply to teach you how to make the small fraction of your artwork that soars.
I have to speak for myself. As far as videos go - casting, the artwork, everything - I'm completely hands-on. You have to be if you want your points across.
When I make my own videos, I am the writer, the editor, the lighting person, everything - that's why my videos are blurry.
When we were first approached with the idea to do videos, we said why not. We used the things that we do in our lives in the videos.
I never want to make videos with people who don't want to make them with me. I don't want to force people to take part. Only people who want to collaborate. And that's important because otherwise, the videos wouldn't work. Them choosing to take part is very important to the videos.
At first, when I did everything myself, I'd set up a tripod, film and then press stop. That's why all my shots are on a tripod and don't move, and that's why my videos are still filmed this way.
Why is the world round? Why do the suckas bite? Why do the freaks come out at night? Why they paint Jesus white? I sit and wonder why we breakin hip-hop laws, Doing videos in houses that we know ain't yours.
The greatest act of love was to make a tape for someone. It was the only way we could share music and it was also a way of advertising yourself. Selection, order, the lettering you used for the track list, how much technical detail you went into, whether or not you added artwork or offered only artwork and no track list at all, these choices were as codified as a Victorian bouquet.
This is show business. I know that winning is super important and a gameplan is super important, but at some point you have to, this is the hurt business and you gotta to try to put your opponent out.
The 'Down in the DM' to 'Rake It Up' to videos, the artwork... everything is 100 percent me. If you want to sample it, if it's going to be in a movie, whatever, you gotta call me.
Skinny jeans and an extra big t-shirt. Ugh, I cannot stand that. It looks like an idiot: it's just proportionately wrong. And the super, super, super, super, super, super, super skinny jeans. I don't think you can get anything done when you're wearing clothes that tight.
My friend Phil Morrison directed a lot of my favorite videos back in the mid- to late-90s - all the Yo La Tengo videos that were funny, a Juliana Hatfield video. He was such an influence with me, and I wanted to do a video the way Phil used to do videos. I did that for Phil.
I was really into artwork in high school and my art teacher made it clear to me that it's not really a career. She insisted that if I wanted to make a living this way, I would have to find a career that might actually reward me for the artwork.
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