A Quote by Donovan

Songwriting is a burst of inspiration and then a long bit of work and a tremendous bit of desperation. — © Donovan
Songwriting is a burst of inspiration and then a long bit of work and a tremendous bit of desperation.
For me, songwriting is something that I have to do ritually. I don't just wait for inspiration; I try to write a little bit every day.
For me, songwriting is something I have to do ritually. I don't just wait for inspiration; I try to write a little bit every day.
I sit around for ages waiting for inspiration. Then when I get an idea, I want to go with it and get something as quickly as possible. It's like catching a fly in a bottle. I'll play with drums for a bit, then the piano for a bit, play the guitar.
My mother, she's the one who's gifted with language. She can speak Japanese, of course, Tagalog, which is a Filipino dialect, Spanish as well as English. And I speak a little bit Japanese because I've had the opportunity to work alongside Japanese people. And a little bit of German, a little bit of Portuguese because of work. A little bit of French because of work. But then, if you asked me to carry-on an everyday conversation, I would fail miserably.
You work [as an actor] for a bit, and then the job ends 'cause you get thrown off a bridge. And then, you suddenly don't have a career and you have to wait for the next bit to come along. It's the most strange profession in the world.
I rap and I sing, so then you've got a bit of hip-hop in there. I'm Jamaican, so you got a bit of dancehall. And I'm from London, so there's a bit of London things in there... And at sometimes, it's a little bit Afrobeat.
Curiously, the balance seems to come when writing is woven into every aspect of my life, like eating or exercising - one flows constantly into the next: I'll wake up and have coffee, read the news, then write a letter or two (always in longhand), then go teach, and after teaching write a bit in a journal - dreams, what I had for breakfast and lunch and why I had it, what's on the iPod, sexual habits, etc. - then read a bit, then work on a real bit of writing...you get the idea.
I usually eat breakfast twice. I'm usually up at 3 a.m. - do my spiritual work, my affirmations, a little bit of songwriting, get my daily work in order, and by that time I've worked up a bigger appetite.
I think you always take away a little bit of a character with you, and it kinda like hangs on you for a bit, and then as time kind of goes and wears off a little bit.
Do what boxers do, sway with the punches. Don't resist. If any of what happens at work gets to you, just let it. You won't be able to shut it out in the long term anyway. Take it bit by bit, release it like a dam, don't let it collect until the wall develops cracks.
If a scene is three pages long, quite often people break it up and do a page, say 'cut' then move on to the next bit, they do it in cuts. I don't really like doing that; I like to go through it all in one organic run, then give notes afterward. A little bit more like theater.
My father was a great inspiration, and there was a bit of competition between us. He'd work in his studio, and I'd work in my space, but the door was always half open.
In the UK, everything is a bit older and a bit more worn-out, and the people are a bit more tired. You know. I think Americans are a bit looser, a bit more out to have a fun time.
Our hope is that every single day the work we're doing is helping to make the American people just a little bit safer, a little bit more prosperous, a little bit healthier.
I know all too well what it takes to have a hit: A little bit of luck, a little bit of work, a little bit of talent.
If you do a sketch, that's a very short narrative. Stand-up, it's bit-to-bit, minute-long narratives.
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