A Quote by Donovan McNabb

I'm very hard on myself. If it's a throw that I missed that I know I can make, that's something that I have to correct. — © Donovan McNabb
I'm very hard on myself. If it's a throw that I missed that I know I can make, that's something that I have to correct.
Making 'The Avengers' was very important to me, but it was also extremely arduous. I missed my friends and I missed my home, so I decided to throw them all on camera, which is the only way I seem to know to relate to people.
At one point, when I didn't make the 2007 World Cup squad, I was very, very frustrated. Then I became very hard on myself. Whenever I used to go to the nets, or when I trained in the gym, I was very hard on myself. I couldn't sleep; I used to think a lot. Very, very desperate to make a comeback.
It's very easy to fool yourself that you're working, you know, when you're really not working very hard. I mean, I'm very lazy. So for me, I would always have an excuse, you know, to go - quit early, go to a museum, you know. So I do everything I can to make myself remember this is a job. I keep a schedule.
I'm very critical of myself and I know the levels I want to achieve so I'm very hard on myself. So the staff and players are very hard on me as well, which is what I want as I want to get to as high a level as possible.
I was happy to spend time with my family, get to know my daughter, who was born during The West Wing. I missed her first words. I missed her first steps. I'd leave work before she woke up and got home after she was asleep and didn't really know her. So it was important for that reason to reintroduce myself to the family after all of that hard work.
I find it really hard to throw myself into something artistically where I'm making up a whole character and finding something for that character to do.
Something I worked very hard on, especially last year, was being more outgoing on the court: recognising good points I'd played and trusting myself and my skills on the court. The fist pumps weren't necessarily to let my opponent know I was here, more to let myself know that I'm here.
But also... well, you and I will both be Lissa's gaurdians someday. I need to protect her at all cost. If a pack of Strogoi come, I need to throw my body between them and her." "I know that. Of course that's what you have to do." The black sparkles were dancing in front of my eyes again. I was fading out. "No. If I let myself love you, I won't throw myself in front of her. I'll throw myself in front of you.
I am very, very aware at all times. I'm watching myself, I'm listening to myself, I'm judging myself, critiquing myself all the time, and I will know when I do something and I will immediately say, "Can I do another one, because I didn't quite get that thing," or that I wanted to do something there and it didn't quite work.
It's very hard sometimes when you can't crack something or can't solve something and you keep trying and trying and you know it's falling a little bit short. That's very hard, but then when you finally do it, it's very rewarding and the process is good too, I like working with people this way.
I wanted to be a dancer my whole life. And when I gave it up to act, I always had a really sad part of myself that missed it and missed performing and missed being physical in that way.
I don't call myself an expert because I've played experts. I know a little bit about very little. But it's very hard to not be drawn into saying something, especially if it has to do with the work.
I am very harsh on myself. I can point out a list. My nose is very strange. I have a very round face. I sound so ungrateful. Obviously I'm being hard on myself. Whether it's body dysmorphia, or whatever it is, I can always find something wrong.
I'm very hard on myself everyday, you can ask my coaches, and after a good training session, I'm not happy because I know I can do better or change something to do better, you know?
What I react against in other people's work, as a filmgoer, is when I see something in a movie that I feel is supposed to make me feel emotional, but I don't believe the filmmaker shares that emotion. They just think the audience will. And I think you can feel that separation. So any time I find myself writing something that I don't really respond to, but I'm telling myself, 'Oh yes, but the audience is going to like this,' then I know I'm on the wrong track and I just throw it out.
I'm very aware of the chemistry. It's something you can't take for granted. I'm very thankful for it and I recognise the power of its reality in all of our lives. Some people don't and it's a mistake not to because people throw away god-given special chemistry that's very rare, very hard to find.
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