A Quote by Dore Ashton

It has always been difficult for historians to fully grasp the intelligence of painters. — © Dore Ashton
It has always been difficult for historians to fully grasp the intelligence of painters.
What the art historians had forgotten is that in Chinese, Japanese, Persian, and Indian art, they never painted shadows. Why did they paint shadows in European art? Shadows are because of optics. Optics need shadows and strong light. Strong light makes the deepest shadows. It took me a few years to realize fully that the art historians didn't grasp that. There are a lot of interesting new things, ideas, pictures.
Poetry always runs away from you - it's very difficult to grasp it, and every time you read it, depending on your conditions, you will have a different grasp of it. Whereas with a novel, once you have read it, you have grasped it.
It is abundantly clear that a total review of all intelligence programs is necessary so that members of the Senate Intelligence Committee are fully informed as to what is actually being carried out by the intelligence community.
Historians of a generation ago were often shocked by the violence with which scientists rejected the history of their own subject as irrelevant; they could not understand how the members of any academic profession could fail to be intrigued by the study of their own cultural heritage. What these historians did not grasp was that scientists will welcome the history of science only when it has been demonstrated that this discipline can add to our understanding of science itself and thus help to produce, in some sense, better scientists.
There are, of course, always painters whom I admire and find fascinating. I've often thought, 'Goodness, if I could paint like the Danish Golden Age painters, the early 19th century painters, the way they could paint a landscape - absolutely beautiful.'
Painters have always needed a sort of veil upon which they can focus their attention. It's as though the more fully the consciousness is absorbed, the greater the freedom of the spirit behind.
Painters have always needed a sort of veil upon which they can focus their attention. It's as though the more fully the consciousness is absorbed, the greater the freedom of the spirit behind
Painters, especially American painters since the Second World War, have been much more troubled, beset by formal perplexity, than American writers. Theyve been a laboratory for everybody.
Don't get me wrong, some of the mis-informed articles I have read over the last few weeks have been incredibly frustrating, but for my part I fully appreciate the opportunity I have been given and want to grasp it firmly.
America needs to fully grasp the lessons learned from our history of fighting radical jihadists. There have been successes and failures.
Comedians and jazz musicians have been more comforting and enlightening to me than preachers or politicians or philosophers or poets or painters or novelists of my time. Historians in the future, in my opinion, will congratulate us on very little other than our clowning and our jazz.
The greatest admission a human can make is that perhaps he does not have the intelligence, the vision, the grasp to fully understand the universe, and that perhaps no human ever will. To put it all down to some omnipotent deity is a cop-out. Factor in fairy tales of an afterlife and it becomes a comforting cop-out.
I always say Philadelphia, Pennsylvania is my biggest influence. But for painters, I like many, many painters, but I love Francis Bacon the most, and Edward Hopper.
Software is like entropy. It is difficult to grasp, weighs nothing, and obeys the second law of thermodynamics; i.e. it always increases.
It has always been difficult for Man to realize that his life is all an art. It has been more difficult to conceive it so than to act it so. For that is always how he has more or less acted it.
If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there's always a narrative that is very nonlinear - and that's the essence of a good music video.
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