A Quote by Doris Burke

Had I considered over the course of time the moments where maybe I was the first woman to do this or that, it would have scared the absolute daylights out of me. — © Doris Burke
Had I considered over the course of time the moments where maybe I was the first woman to do this or that, it would have scared the absolute daylights out of me.
Watching Jaws just scared the living daylights out of me when I was young. I know a lot of people my age who are still petrified of sharks because of that film.
It was complicated at Madrid. I was suspicious. The lack of recognition for Makelele over there scared me. I was scared it would happen to me. But I should have gone there. Today, I don't regret the career that I have had, but if I could have changed one thing, it would be that: to go to Madrid.
I'm not sure I'd go back and do anything over in my life. I've definitely had my fair share of failures and moments where I wasted my time or that of other people, but if I did those moments over, I'd have missed out on so many lessons.
Down in the city are the nice houses and the so-so houses and the lovers making out in dark yards and the babies crying for their moms, and I wonder if, other than Jesus, has this ever happened before. Maybe it happens all the time. Maybe there's angry dead all over, hiding in rooms, covered with blankets, bossing around their scared, embarrassed relatives. Because how would we know?
I'd never met a woman I considered as intelligent as me. That sounds bigheaded, but every woman I met was either a dolly-chick, or a sort of screwed-up intellectual chick. And of course, in the field I was in, I didn't meet many intellectual people anyway. I always had this dream of meeting an artist, an artist girl who would be like me. And I thought it was a myth, but then I met Yoko and that was it.
The numbness of his loss had passed, and the pain would hit me out of nowhere, doubling me over, racking my body with sobs. Where are you? I would cry out in my mind. Where have you gone? Of course, there was never any answer.
I think the worst thing that could have happened to me would have been having a hit at 20. I don't know what that would have done to me. But instead, I had to scrape a living for years. And my first show, which opened in 1969, lost over £45,000, an absolute fortune then.
No real fairytale scared me, but Freddy Krueger did. 'Nightmare on Elm Street' scared the living hell out of me, but no fairytale. Maybe 'Hansel and Gretel' a little bit when they were walking through the forest and they met the witch. But I liked being scared, I really enjoy being scared.
Before I moved to the Isle of Wight, I lived in the suburbs of London and saw 'Fantasia,' and it scared the living daylights out of me. And I didn't go back to the movies until many years later to see a Lasse Hallstrom film.
A story has the opportunity to enlighten us, because as we connect the extraordinary moments on film with the ordinary moments of our lives, we ask ourselves, "What am I going to do the next time I'm scared? What would it be like to say goodbye to my family for the last time?"
You're young. Maybe there'll be time for a do-over if you don't get it right the first time. But there are no guarantees. There will come a time as it has for me when there's no time for a do-over.
A few times in my life I've had moments of absolute clarity, when for a few brief seconds the silence drowns out the noise and I can feel rather than think, and things seem so sharp. And the world seems so fresh as though it had all just come into existence. I can never make these moments last. I cling to them, but like everything, they fade. I have lived my life on these moments. They pull me back to the present, and I realize that everything is exactly the way it was meant to be.
When I first started making films 30 years ago, people would comment that I was a woman. But strangely, when I was in television, no one ever mentioned that I was a woman. Maybe it was because television and film were different. There were more women working in television than men. There was no split in terms of work - everyone was considered equal
I started [flying] by being scared. When I was an amateur I played a couple tournaments and I had to fly, and got into weather and stuff, and it scared me, and I decided that would not work, I had to learn to fly, I had to find out about airplanes and aeronautical engineering and what it was all about.
From an early age I loved horror movies. I read books about horror, cops, firemen and military. Over the course of the years I started to see that there's a reality to this. The first movie I was really conscious of seeing was THE EXORCIST and I don't know if any of you have seen that but it scared the sh*t out of me. It really frightened me.
Josh had told me a long time ago that he had this theory that an entire relationship was based on what occurred over the course of the first five minutes you know each other. That everything that came after those first minutes was just details being filled in. Meaning: you already knew how deep the love was, how instinctually you felt about someone. What happened in their first five minutes? Time stopped.
This site uses cookies to ensure you get the best experience. More info...
Got it!