A Quote by Doris Day

When I was a teeny little girl, I was in dancing school, and I sang. — © Doris Day
When I was a teeny little girl, I was in dancing school, and I sang.
When I was a teeny little girl, I was in dancing school, and I sang. We had to put a dance to a song, so I went to the 10-cent store one day and looked at all the sheet music. It was all laid out, and I picked 'Life Is Just a Bowl of Cherries.'
I always sang when I was little-bitty girl. I sang all the time. And then I'm from Knoxville, Tennessee, so I sang in a show at Pigeon Forge, Tennessee. You know, they have all those variety shows where Dollywood is. And I sang there and yodeled and clogged, but I never wrote my own songs.
I was more of a dancing kid than a singing kid. I mean, I sang in school choirs and I sang in school musicals, but I was much more interested in dancing than singing.
I love singing! I was a musical theater girl in high school. We were always singing and dancing around, and just doing little community theaters and high school musicals. Then, when I got to NYU, I focused more on drama.
And you know what - and I don't mean this in tongue in cheek way - but it's like deja vu. When I walked in to WCW they were producing wrestling on a little teeny sound stage at Disney, okay? I'm walking into TNA and they're producing wrestling in a little teeny sound stage at Universal.
I love dancing, but I'm not that good of a singer. I sang in punk rock bands in high school and college and stuff, but that mostly involved lots of screaming.
There was a little girl in California who was part of the second class to integrate her public schools and she was bused to school every day. That little girl was me.
People don't connect the girl that sang 'Mickey' with the girl who was one of the seven original Lockers or the same girl who was in 'Easy Rider' or the same girl who choreographed David Bowie, Tina Turner, and Bette Midler tours. It's like I've led five lives.
I was okay with singing. I always sneak a song into everything I do. Dancing, a little awkward. Little embarrassed about that. I don't move well. But I was with a frog, so it doesn't matter. I'll do anything with a frog, that's my motto. He's great with tap-dancing or flap-dancing on my head. So no one's going to be looking at me when we're doing that dance. They're going to be saying, 'There's a frog dancing'.
I sang a lot as a little girl and entered competitions. I loved singing in choirs, but it was as I got older that I really found my voice.
My mother had gotten a job as a receptionist at a dancing school and had the idea that we should open our own dancing school; we did, and it prospered.
I've always sang a little like a 16-year-old girl, but even Ann-Margret stopped after a while and brought it down a bit.
I can't just be the girl who sang 'I Kissed a Girl.' I have to leave a legacy.
When I went to Japan I sang in Japanese; when I went to Greece I sang in Greek. When I went to Spain, I sang in Spanish. I couldn't speak it very well, but I sang, I was beautiful in singing it. These things just constantly attracted people to the uniqueness of who I was and the way in which I performed.
As a little girl in Arizona, none of the women in my family had a cultural connection with Girl Scouts, but the opportunity resonated with my mother as a platform that would allow me to excel in school.
I was this tiny, frail little girl, I needed to build up muscle, and I fell in love with dancing from the first lesson.
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