A Quote by Doris Lessing

Writers do not come out of houses without books. — © Doris Lessing
Writers do not come out of houses without books.
How some of the writers I come across get through their books without dying of boredom is beyond me.
People without curiosity are like houses without books: there's something unsettling about them.
Without writers fooling themselves about what their books might accomplish there would be no books at all.
There's no beauty without poignancy and there's no poignancy without the feeling that it's going, men, names, books, houses--bound for dust--mortal--
People keep saying that books will never die out. Well, books may never die out, but hundreds of thousands of individual writers will, and for them, it's as if books did die out.
There's a blockbuster side to Knopf, whether it's P. D. James or John le Carre or our best-selling books. We try to sell our writers as aggressively as those houses regarded as commercial with a capital C.
Before writers are writers they are readers, living in books, through books, in the lives of others that are also the heads of others, in that act that is so intimate and yet so alone.
I think the best writers are voracious readers who pick up the cadences and the feel of narration through a number of different books. And you begin by maybe copying the style of writers that really knocked you out.
Book critics certainly are judges who wield a tremendous amount of power in terms of whether or not a book will reach a wider audience. That's one of the reasons why I try to give coverage to books written by Latinx writers; too many worthwhile works of literature do not get the kind of coverage they deserve, and I've certainly seen that with respect to books written by writers of color. But there are some wonderful, diverse writers out there who mentor and otherwise support those voices that often have been ignored by much of the mainstream press.
I always send new writers to 'Writer's Digest Books' line-up of how-to books. I read them all when I was starting out, and they were very helpful.
The wonderful thing about books is you never run out of them, you can just keep going. So I'm always finding new writers, or old writers that I just happen not to have read.
The reason some crime writers have a chip on their shoulder about the label is because their good books are shelved beside books about nuns and birdwatchers and cats who solve crimes. Overseas, my books are reviewed alongside those of authors like Robert Stone and Don DeLillo, and I have to live and die by that comparison. They don't ghettoize crime writers in other countries, and of course they shouldn't.
I've met writers who wanted to be writers from the age of six, but I certainly had no feelings like that. It was only in the Philippines when I was about 15 that I started reading books by very contemporary writers of the Beatnik generation.
There are certain books that should be taken away from young writers; that should be prised out of their clutching fingers and locked away until they are all grown up and ready to read them without being smitten.
Some of the domestic evils of drunkenness are houses without windows, gardens without fences, fields without tillage, barns without roofs, children without clothing, principles, morals or manners.
Books written out of fire give me a great deal of pleasure. You get the sense that the world for these writers could not have continued if the book hadn't been written. When you come across a book like that it is a privilege.
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