A Quote by Doris Lessing

But there is no doubt that to attempt a novel of ideas is to give oneself a handicap: the parochialism of our culture is intense. For instance, decade after decade bright young men and women emerge from their universities able to say proudly: 'Of course I know nothing about German literature.' It is the mode. The Victorians knew everything about German literature, but were able with a clear conscience not to know much about the French.
When Thomas Mann arrived in California from Germany, they asked him about German literature. And he said, 'German literature is where I am.' It's really a bit grand, but if a German can afford it, I can afford it.
I went to a British Council event a while back and there were lots of German professors of literature. About half of them were convinced I had a German sense of humour and the other half were sure it was British. They are probably still arguing about it now.
Eddie Izzard is doing his show in French... Will he be able to fake ad-lib as well in other languages? He's been speaking French for a while now, but he's talking about doing his act in German. Haven't the German people suffered enough?
My father read Günter Grass. He introduced me to German literature. I believe the first book I read by a German author was from Grass. After that, Thomas Mann accompanied me for a few years during my literature studies. I tried again and again to read the original German text, but I never really succeeded.
I do lots of reading and speaking at many universities about literature and also about politics, which is as much a part of my life as the literature.
Obviously, everything has always been defined by the dominant ideology. But the dominant ideology has been able to accept women's literature as well as men's literature. I would say that women have been hindered from creating for a variety of reasons, as Virginia Woolf so admirably explained in A Room of One's Own. When they have created, on the whole they have been recognized. In literature it hasn't been nearly as oppressive as in, say, painting, where even the existence of so many women painters has always been denied.
what is a german? to say a man is a german, what is that? does it tell you if he is a good man? or a bad man? no, my friend, it tells you nothing about a man to say he is german. a man must think what he is inside. what he is on the outside, how can this matter?
What a lost person needs is a map of the territory, with his own position marked on it so he can see where he is in relation to everything else. Literature is not only a mirror; it is also a map, a geography of the mind. Our literature is one such map, if we can learn to read it as our literature, as the product of who and where we have been. We need such a map desperately, we need to know about here, because here is where we live. For the members of a country or a culture, shared knowledge of their place, their here, is not a luxury but a necessity. Without that knowledge we will not survive.
If I could change the attitude of young men toward literature, I would want them to read not just for escape, but because literature can be more truthful about things like sex, commitment, and aging. It can be more truthful about the stuff that our parents lied to us (and themselves) about, and the stuff that everyone has to lie about. It can all be dealt with truthfully in fiction and poetry.
I am the first prime minister of this country of neither English nor French origin. So I determined to bring about a Canadian citizenship that knew no hyphenated consideration....I'm very happy to be able to say that in the House of Commons today in my party we have members of Italian, Dutch, German, Scandinavian, Chinese and Ukrainian origin and they are all Canadians.
I must say to you that my intensions for instance doing German, it is because Victoria de los Angeles is nothing to do with wanting to be like a German singer.
I've spent more than a decade channeling information for and about men. I'm able to come and use this information, with the help of the research, to hand over the keys to the kingdom to women.
My wife is German, so I know something about German energy policy.
Hitler was no inexorable product of a German 'special path', no logical culmination of long-term trends in specifically German culture and ideology. Nor was he a mere 'accident' in the course of German history.
Very often I hear talk about female literature, or femininity in literature. It's a categorization I am not sure about. Maybe there are a few elements that distinguish women's observations from men's, like the ability to notice some fine details.
German writers in the late 18th century were the first to uphold a prickly, literary nationalism, in reaction to the then dominance and prestige of French literature.
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