A Quote by Doris Lessing
The great secret that all old people share is that you really haven't changed in seventy or eighty years. Your body changes, but you don't change at all. And that, of course, causes great confusion.
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Your body changes, but you don't change at all. And that, of course, causes great confusion.
The best entrepreneurs know this: every great business is built around a secret that’s hidden from the outside. A great company is a conspiracy to change the world; when you share your secret, the recipient becomes a fellow conspirator.
You must be prepared for further efforts of mind and body and further sacrifices to great causes, if you are not to fall back into the rut if inertia, the confusion of aim and the craven fear of being great.
Eighty's a landmark and people treat you differently than they do when you're seventy-nine. At seventy-nine, if you drop something it just lies there. At eighty, people pick it up for you.
Two years gives you enough time to grow and to change, and to, you know, change your priorities. Change where you live, change your hair, change what you believe in, change who you hang out with, what’s influencing you, what’s inspiring you. And in the process of all of those changes in the last two years, my music changed.
When you get old, everything changes - your body changes, your family changes. You can't do what you've always done, anymore. And, either you can complain about things changing - or you can be content. Instead of complaining, you can say: "Oh, yesss! Look at all this change!" You can welcome it.
I recognize thart even you, yourself, will change. Your ideals will change, your tastes will change, your desires will change. Your whole understandings of who you are had better change, because if it doesn't change, you've become a very static personality over a great many years, and nothing would displease me more. And so I recognize that the process of evolution will produce changes in you.
I think the question is, how do we live with change? Change in our friends, change in our lovers? Change in me and change in my body, from the stroke. Things have changed this plane of consciousness. We've tried to keep things the same. It causes suffering. This suffering is another step in your spiritual life, in your spiritual journey.
Obviously from 12-years-old to 16-years-old, your body changes and that's nothing to be embarrassed about, but boy I was!
Seventy-five years. That's how much time you get if you're lucky. Seventy-five years. Seventy-five winters, seventy-five springtimes, seventy-five summers, and seventy-five autumns. When you look at it like that, it's not a lot of time, is it? Don't waste them. Get your head out of the rat race and forget about the superficial things that pre-occupy your existence and get back to what's important now.
One thing they don't tell you about growing old - you don't feel old, you just feel like yourself. And it's true. I don't feel eighty-nine years old. I simply am eighty-nine years old.
I have no secret but hard work. This is a secret that many never learn, and they don't succeed because they don't learn it. Labor is the genius that changes the world from ugliness to beauty, and the great curse to a great blessing.
The way a film can change over the generations... You watch a movie when you're 20 years old, and you see the same movie when you're 35 years old or 40 years old, and something happens. The movie changes because we change as individuals.
At seventy-four I'm getting minor raves on my looks, but I'm caught in the middle. Who knows what seventy-four looks like? Who cares? But if I'd listened to my friends, I could now lie and say I'm eighty-four. For eighty-four, the way I look is spectacular.
Making really great music, making really great films, writing great books is an antidote to all of that. And, as people, as artists, some of the massive disruption that technology is causing is so exciting, the way that people can share creativity now.
It's really great to do one piece, "I've Grown Accustomed To Your Face," my dad developed in 1956, when he was 20 years old, and it's great to do that piece again now and see that it still really works as well as it ever did.
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