A Quote by Doris Lessing
I'm sure that everybody feels a kind of permanent anguish about what's going on in the world.
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Why I can't stand this phrase about I don't have any permanent enemies, any permanent friends, only permanent interests. I can't stand that. It's a matter of principles. What kind of integrity, what kind of morality do you have?
You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down some sort of permanent statement about the way it feels to live now, today.
You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down... some sort of permanent statement about the way it feels to live now, today.
It was kind of a hard lesson when I figured out that not everybody is going to be kind, be sweet. So I've learned that I am never going to make everybody happy. There's always going to be someone who can't stand the way I write, and I can't take that personally.
L.A. was just an inspiring kind of place to be. It felt like going to Paris in the Twenties and Thirties. Everybody's there. Everybody's hanging around. Everybody's talking about music.
Everybody kind of looks to comedians and comedy for relief and a fresh breath about what is going on in the world.
The Christian religion is only for one who needs infinite help, therefore only for one who feels an infinite need. The whole planet cannot be in greater anguish than a single soul. The Christian faith - as I view it - is the refuge in this ultimate anguish. To whom it is given in this anguish to open his heart, instead of contracting it, accepts the means of salvation in his heart.
What I love about cooking is that after a hard day, there is something comforting about the fact that if you melt butter and add flour and then hot stock, it will get thick! It's a sure thing! It's a sure thing in a world where nothing is sure; it has a mathematical certainty in a world where those of us who long for some kind of certainty are forced to settle for crossword puzzles.
I think that we are in a very strange time, when everybody is thinking about what is going to happen, and everybody is kind of cleaning house a little bit. In the fashion world, we are doing something similar. We are taking the fake out and being a little bit more real and simple.
Every now and then I have to teach directing. The thing about the theatre is that the most important thing you can do as a director is to make sure that everybody is in the same world - you have to create the world and make sure everyone buys into it.
My movies just kind of sneak up on you. I don't have to worry too much about what everybody is going to say. Anyway, I really don't pay attention to what the world says about my movies. I just care about what my buddies think.
It continues to be my strong belief that the way we are going to make sure that everybody feels a part of this global economy is not by shutting ourselves off from each other, even if we could, but rather by working together more effectively than we have in the past.
Tattoo is the magic word. It hits people in a way that no other visual medium does. And it is not simply visual, but visceral. Everybody has an opinion about it and everybody has a gut reaction. And because they are permanent, tattoos raise all these issues about life and death.
That's the thing about life; everything feels so permanent, but you can disappear in an instant.
What keeps me up at night? Probably most, thinking about the future for my kids. It sounds kind of funny, but not so much what they're going to do, but how as a parent, how my wife and I as parents, how best we should prepare them for the world. And I know everybody does this, I think everybody stays up at night thinking about the best thing for their kids, and astronauts are no different.
It's the loneliest feeling in the world-to find yourself standing up when everybody else is sitting down. To have everybody look at you and say, 'What's the matter with him?' I know. I know what it feels like. Walking down an empty street, listening to the sound of your own footsteps. Shutters closed, blinds drawn, doors locked against you. And you aren't sure whether you're walking toward something, or if you're just walking away.
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