A Quote by Doris Lilly
To make a long story short, there's nothing like having a boss walk in.
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A short story is a sprint, a novel is a marathon. Sprinters have seconds to get from here to there and then they are finished. Marathoners have to carefully pace themselves so that they don't run out of energy (or in the case of the novelist-- ideas) because they have so far to run. To mix the metaphor, writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.
Writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.
I decided to make myself a little less precious with my storytelling. I think you can see from the first three pieces in the book that I have a long term relationship with the short story as a form and I really love an elegantly crafted story that has several elements that come together in a way that is emotionally complex and different from when we started. That kind of crystalline, perfect, idealized thing that the short story as a genre has come to represent.
A novel is like a long relationship and a short story is a brief one that lingers - it lingers powerfully and maybe more powerfully. I think that's true in a lot of cases, most long-term relationships compared to some of the briefer ones - the intensity of those brief ones that end, I think a short story is kind of like that. There's a certain level of intensity that I think is different.
I'm going to continue to make short films. I love making shorts. I don't have a boss. There's no boss telling me what I can and can't do. I find that it's incredibly creative and challenging to just keep doing that.
Not that the story need be long, but it will take a long while to make it short.
Writing a poem is like having an affair, a one-night stand; a short story is a romance, a relationship; a novel is a marriage-one has to be cunning, devise compromises, and make sacrifices.
My [story] outlines are usually about 5-6 pages long. I'm essentially telling myself the story in short form. I try to make it clear who the major characters are, what they want, and what obstacles they face.
There was no short answer to this; like so much else, it was a long story. But what really makes any story real is knowing someone will hear it. And understand.
I don't like having hierarchical structures. So, everybody knows that I'm the boss but, from that, I don't like people to walk on eggshells. I like people to be friendly and to feel loved. I think that kind of fits into creativity stronger. If people are scared, they are afraid to come up with ideas.
The best way to make a long story short is to stop listening.
With short stories, the story-teller must have a story to tell, not merely some sweet prose to take out for a walk
Jesus was short on sermons, long on conversations; short on answers, long on questions; short on abstraction and propositions, long on stories and parables; short on telling you what to think, long on challenging you to think for yourself.
I think fighters for a long time, were afraid to pull out of fights for many reasons. Like sitting on the shelf for a long time due to not having as many fight cards back then. Feeling like a wuss, disappointing the boss and fans, or just needing the money.
A short story is a different thing all together - a short story is like a kiss in the dark from a stranger.
A good man likes a hard boss. I don't mean a nagging boss or a grouchy boss. I mean a boss who insists on things being done right and on time; a boss who is watching things closely enough so that he knows a good job from a poor one. Nothing is more discouraging to a good man than a boss who is not on the job, and who does not know whether things are going well or badly.
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