A Quote by Doris Salcedo
Political events are part of everyday life [in Colombia], so art and politics came to me as a natural thing, something that has been very much present in my life from the start.
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Politics is a part of life and art is about life. It doesn't mean that all the art has to be about politics - in fact, heaven forbid. But politics is a totally legitimate area of focus for any art, whether it's painting or songwriting or anything else, as much as sex is, as much as spirituality is, as much as any other behavior of people is.
Writing Part of the Scenery has been a very different experience. I have been reminded of people and events, real and imaginary which have been part of my life. This book is a celebration of the land which means so much to me.
Modernism was a big thing for me, coming from a father who was very interested in art, music and culture - and almost always Italian art, music and culture. One good thing about Italians is that culture is part of everyday life. But Modernism is a movement of the past. The idea of a Modernist building as a sculpture set on a pedestal of grass is a part of Modernism that I'm not so crazy about.
Adoption has been a part of my life and a part of my family, so it was how I wanted to start. It felt natural and right to me.
Art and work and art and life are very connected and my whole life has been absurd. There isn't a thing in my life that has happened that hasn't been extreme - personal health, family, economic situations...absurdity is the key word.
In the French culture, they talk politics. I didn't find it was part of our culture to have political arguments at the table. My husband's family will get into major politics, and it's not an aggressive thing. It's so interesting and you learn so much, whether it's Right or Left, and that to me has been really great.
The people, the culture... there's so much magic in Colombia, so I feel like being a kid, being able to have that, being able to also call Colombia my home, it was such an important part of my introduction as an artist, too, because it's such a big part of my life as a human being.
I think life is politics anyway. You can't ignore it, but you can go very wrong in politics. You can say what you thought 50 years ago, but maybe you're wrong today. It's something very special, politics. I think you'd better be a good person in life every day - it's much more important.
I don't mind being labeled as a political songwriter. I've chosen to do that. What really annoys me is being dismissed as a political songwriter. That really pains me, because life isn't all about love; it's not all about politics, either. It's a beautiful mixture of events that absolutely baffle you, and you think, "Why can't I do something about that?", whether those events are in your bedroom, or out there in the wide world. In our daily lives we engage with them at different times, and I'm trying to write about the whole human experience, or my perspective on it anyway.
I grew up around so much new agey stuff. Part of me takes it lightly because I'm so used to it. It was my parents. It wasn't some path I discovered and want to share with people. It's just been a very natural part of my life. There's humor to it and there's seriousness to it, too.
Well, for me the pro-life issue has been something I've been very passionate about since the '70s, and I have been very involved in the pro-life community since long before politics.
Every film has a political side. It's something that you cannot ignore. Politics is a part of everything, it's how we speak, how we perceive one another, how we hold this interview: Everything is politics. But it's a very different thing to just stuff your film with political messages.
I think what we're attracted to on the page is something that is very difficult to do in life, which is to examine in what seems like a moment. To examine what we can't do in life very well, which is to be as present and accountable to what an experience is. That's why life is short and art is very long.
Art-making was part of my daily life from a very young age, and I still love that kind of everyday art-making.
People act like art is a white thing - or not for people of colour - when, really, so much culture and art comes from people of colour. I want everyone to get into what I am doing. So sometimes I don't like to work just in an art context because it feels like a lot of people aren't going to see it. I like it to be a part of everyday life.
I'm no longer interested in making political films. There's something old-fashioned about them. Young people now don't care for politics. It isn't present in life as it used to be. And increasingly I like films which reflect present-day reality.
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