A Quote by Dornford Yates
When a writer admits that he has an affection for something which he has written, it is high time to pray for his soul.
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every secret of a writer's soul, every experience of his life, every quality of his mind is written large in his works, yet we require critics to explain the one and biographers to expound the other. That time hangs heavy on people's hands is the only explanation of the monstrous growth.
The act of writing bears something in common with the act of love. The writer, at his most productive moments, just flows. He gives of that which is uniquely himself. He makes himself naked, recording his nakedness in the written word. Herein lies some of the terror which frequently freezes a writer, preventing him from producing. Herein, too, lies some of the courage that must be entailed in letting others learn how one has experienced or is experiencing the world.
The very existence of society depends on the fact that every member of it tacitly admits he is not the exclusive possessor of himself, and that he admits the claim of the polity of which he forms a part, to act, to some extent, as his master.
Every secret of a writer's soul, every experience of his life, every quality of his mind is written large in his works.
There is also purpose in life which is almost barren of both creation and enjoyment and which admits of but one possibility of high moral behavior: namely, in man's attitude to his existence, an existence restricted by external forces.
It’s as much a writer’s concern, who is responsible to his readers for all the books written before him as well as those which will be written after him.
We can all pray. We all should pray. We should ask the fulfillment of Gods will. We should ask for courage, wisdom, for the quietness of soul which comes alone to them who place their lives in His hands.
But nothing is yet clear on the subject of the intellect and the contemplative faculty. However, it seems to be another kind of soul, and this alone admits of being separated, as that which is eternal from that which is perishable, while it is clear from these remarks that the other parts of the soul are not separable, as some assert them to be, though it is obvious that they are conceptually distinct.
How wonderful is the human voice! It is indeed the organ of the soul. The intellect of man is enthroned visibly on his forehead and in his eye, and the heart of man is written on his countenance, but the soul, the soul reveals itself in the voice only.
Stallone is a great writer. He wrote one of the best screenplays ever written. Rocky. It is one of the biggest classics of all time. I think in the past, he was shying away from writing his own stuff, because there is a lot of pressure when you star in something that you write.
When I pray, I never pray for myself, always for others, or else I hold a silly, naive, or deadly serious dialogue with what is deepest inside me, which for the sake of convenience I call God. Praying to God for something for yourself strikes me as being too childish for words. To pray for another's well-being is something I find childish as well; one should only pray that another should have enough strength to shoulder his burden. If you do that, you lend him some of your own strength.
Dear Night! this world's defeat; The stop to busy fools; care's check and curb; The day of spirits; my soul's calm retreat Which none disturb! Christ's progress, and His prayer-time; The hours to which high Heaven cloth chime.
We tend to use prayer as a last resort, but God wants it to be our first line of defense. We pray when there's nothing else we can do, but God wants us to pray before we do anything at all. Most of us would prefer, however, to spend our time doing something that will get immediate results. We don't want to wait for God to resolve matters in His good time because His idea of 'good time' is seldom in sync with ours.
...a writer's works, like the water in an artesian well, mount to a height which is in proportion to the depth to which suffering has penetrated his soul.
There are three infallible ways of pleasing an author, and the three form a rising scale of compliment: 1, to tell him you have read one of his books; 2, to tell him you have read all of his books; 3, to ask him to let you read the manuscript of his forthcoming book. No. 1 admits you to his respect; No. 2 admits you to his admiration; No. 3 carries you clear into his heart.
I'd written my first novel for adults, which was called Basic Eight and was set in a high school, and we were having a devil of a time selling it. It ended up in the hands of an editor of a children's publishing house, for which it was entirely inappropriate. She said, "Well, we can't publish this, but I think you should write something for children," which I thought was a really terrible idea.
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