A Quote by Dorothea Brande

The most enviable writers are those who, quite often unanalytically and unconsciously, have realized that there are different facets to their nature and are able to live and work with now one, now the other.
I really love James Joyce, Dubliners and other work. And I was interested in the way the dash was used in English topography - in his work particularly - and I realized there was no compulsion to use those ugly dot-dot curlicues all over the place to designate dialogue. I began to look around, and found writers who could make transitions quite clear by the language itself. I'm a bit of a maverick now. I'm always trying to push the medium.
I have now established myself in a most enviable manner. Those who require something of me must seek me out - I remain apart. I work for no one unless he is a high-ranking personality or a friend.
If you will make the sacrifices now that most people aren't willing to make, later on you will be able to live as those folks will never be able to live.
The popular and scientific views of "race" no longer coincide. The word "race," as applied scientifically to human groupings, has lost any sharpness of meaning. To-day it is hardly definable in scientific terms, except as an abstract concept which may, under certain conditions, very different from those now prevalent, have been realized approximately in the past and might, under certain other but equally different conditions, be realized in the distant future.
It is probably true quite generally that in the history of human thinking the most fruitful developments frequently take place at those points where two different lines of thought meet. These lines may have their roots in quite different parts of human nature, in different times or different cultural environments or different religious traditions: hence if they actually meet, that is, if they are at least so much related to each other that a real interaction can take place, then one may hope that new and interesting developments may follow.
I feel a responsibility, as I get older, to be responsible to what I've experienced, to what I've lived and been in a position to witness. I realize now that as a consequence of having lived the life I have, quite apart from the one, as I understand it, lived by most American writers, maybe I now know some things and have some stories to tell that others don't know about or wouldn't be able to tell. Maybe there's an intrinsic value in that lived experience and knowledge, though of course what you do with it is everything.
It's a tough time for screenwriters right now, because fewer movies are getting made. I'm enjoying television so much. It offers opportunities for writers to be in a writers' room and work their way up. It's somewhat easier because there's more of a community. There are so many screenwriters with incredible stories to tell, so I hope there will be some kind of shift in the business where very few types of movies are now made by the studios. There needs to be different budgets for different audiences; not everything having to be a huge opening weekend.
Oh, now, now, now, the only now, and above all now, and there is no other now but thou now and now is thy prophet.
I was never able to analyze my own performance that way I can now. I've realized why certain actors work. I think I'm very in control of what I do in there now. I know how to listen, how to make it real and how not to go to jokes, but to go for a sense of reality.
Now, on the other hand, if we booted all the men out of corporate America, and we had all women there, quite honestly I think they'd be just as corrupt as what we have right now. I think it's best to have diversity and different points of view.
Most humans are never fully present in the now, because unconsciously they believe that the next moment must be more important than this one. But then you miss your whole life, which is never not now.
In the world in which we live, it is almost a necessity to be able to regain one's strength of body and spirit, especially for those who live in the city, where the conditions of life, often feverish, leave little room for silence, reflection and relaxed contact with nature.
Most writers in Mexico have had posts as ambassadors, secretaries - that is no longer the case. Now a writer can live off writing. He has an audience: there are publishing houses, there are newspapers - so the situation is not as terrible as it used to be when there were no means and he had to go into government service, be an ambassador or a cabinet minister, etc. So, things are changing in the sense that the civil society is now the protagonist. The writer therefore occupies a different position, but no less influential than in the past, in a new, democratic society.
Be patient toward all that is unsolved in your heart and try to love the questions themselves, like locked rooms and like books that are now written in a very foreign tongue. Do not now seek the answers, which cannot be given you because you would not be able to live them. And the point is, to live everything. Live the questions now. Perhaps you will then gradually, without noticing it, live along some distant day into the answer.
Different things work for different people. One thing I've realized, though, is that the work that I've done on myself outside of my work as an actress has really allowed me to open up my mind. I think I understand my emotional state and my complexities now in a much clearer way, and I can put them to rest in a way that there's almost a catharsis that happens through the work, where I can do it and then find myself again.
Trump has learned how to function in a world in which people now live in very separate realities, where they get their news from Facebook recommendations and believe in a particular set of facts. Others, who live in a different reality, know quite a different set of facts.
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