A Quote by Dorothea Dix

The tapestry of history has no point at which you can cut it and leave the design intelligible. — © Dorothea Dix
The tapestry of history has no point at which you can cut it and leave the design intelligible.
We look at life from the back side of the tapestry. And most of the time, what we see is loose threads, tangled knots and the like. But occasionally, God's light shines through the tapestry, and we get a glimpse of the larger design with God weaving together the darks and lights of existence.
A number of frail girls... prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in this tapestry, and the tapestry was the world.
The mind is like a richly woven tapestry in which the colors are distilled from the experiences of the senses, and the design drawn from the convolutions of the intellect.
A theory of motivation is defective if it renders intelligible behaviour which is not intelligible.
Providence is like a curious piece of tapestry made of a thousand shreds, which, single, appear useless, but put together, they represent a beautiful history to the eye.
The fundamental claim of intelligent design is straightforward and easily intelligible: namely, there are natural systems that cannot be adequately explained in terms of undirected natural forces and that exhibit features which in any other circumstance we would attribute to intelligence.
I do not have a history in set design. I have a history in art. I draw. But I learned set design when I couldn't afford to have a team and I didn't want to look like I was indie. I wanted to give fans the visual.
Reade was an emancipating writer because he seemed to speak as man to man to resolve history into an intelligible pattern in which there was no need for miracles. Even if he was wrong, he was grown-up.
Now, tell me how you're going to teach the history of Jefferson, and cut out all those quotes and cut out all these facts, and cut out the key line of the Declaration of Independence: We are endowed by our Creator. I mean you have to have a conscious deliberate censorship of America, which is what the left and the courts and the classrooms has had for 40 years.
Good design is making something intelligible and memorable. Great design is making something memorable and meaningful.
The tapestry of history is woven of many threads.
The tapestry of history that seems so full of tragedy when viewed from the front has countless comic scenes woven into its reverse side. In truth, tragedy and comedy are the twin masks of history - its mass appeal.
We all should know that diversity makes for a rich tapestry, and we must understand that all the threads of the tapestry are equal in value no matter what their color.
Graphic designers should be literate in graphic design history. Being able to design well is not always enough. Knowing the roots of design is necessary to avoid reinvention, no less inadvertent plagiarism.
When we think of design, we usually imagine things that are chosen because they are designed. Vases or comic books or architecture... It turns out, though, that most of what we make or design is actually aimed at a public that is there for something else. The design is important, but the design is not the point. Call it "public design"... Public design is for individuals who have to fill out our tax form, interact with our website or check into our hotel room despite the way it's designed, not because of it.
It makes us a thread in a tapestry that has unrolled for centuries before us, and will unroll for centuries after us. We're midway through the loom, that's the present, and what we do casts the thread in a particular direction, and the picture of the tapestry changes accordingly. When we begin to to try to make a picture pleasing to us and to those who come after, then perhaps you can say that we have seized history.
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