A Quote by Dorothea Dix
The fabled origin of the laurel is this. Daphne, daughter of the river Peneus, offended by the persecutions of Apollo, implored succour of the gods, who changed her into a laurel tree. Apollo crowned his head with the leaves and ordered that forever after, the tree should be sacred to him.
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Coy Nature, (which remain'd, though aged grown,
A beauteous virgin still, enjoy'd by none,
Nor seen unveil'd by anyone),
When Harvey's violent passion she did see,
Began to tremble and to flee;
Took sanctuary, like Daphne, in a tree:
There Daphne's Lover stopped, and thought it much
The very leaves of her to touch:
But Harvey, our Apollo, stopp'd not so;
Into the Bark and Root he after her did go!
...the meaning of my thoughts started to float away from me, like leaves that fall from a tree into a river, I was the tree, the world was the river.
Cut is the branch that might have grown full straight, And burned is Apollo's laurel bough, That sometime grew within this learned man. Faustus is gone.
I was a 'Laurel and Hardy' nut. I got to know Laurel at the end of his life, and it was a great thrill for me. He left me his bow tie and derby and told me that if they ever made a movie about him, he'd want me to play him.
Apollo 8 comes a close second, it not equal, to Apollo 11 for the most exciting, memorable moments on the Apollo project.
I think you have to know these fellows definitely before you can draw them. When you start to caricature a person,you can't do it without knowing the person. Take Laurel and Hardy for example; everybody can see Laurel doing certain things because they know Laurel.
Among archetypal images, the Sacred Tree is one of the most widely know symbols on Earth. There are few cultures in which the Sacred Tree does not figure: as an image of the cosmos, as a dwelling place of gods or spirits, as a medium of prophecy and knowledge, and as an agent of metamorphoses when the tree is transformed into human or divine form or when it bears a divine or human image as its fruit or flowers.
Leaves are usually looked upon as the children of the tree. Yes, they are children of the tree, born from the tree, but they are also mothers of the tree. The leaves combine raw sap, water, and minerals, with sunshine and gas, and convert it into a variegated sap that can nourish the tree. In this way, the leaves become the mother of the tree. We are all children of society, but we are also mothers. We have to nourish society. If we are uprooted from society, we can not trasform it into a more liveable place for us and our children.
When we shout at the oak tree, the oak tree is not offended. When we praise the oak tree, it doesn't raise its nose. We can learn the Dharma from the oak tree; therefore, the oak tree is part of our Dharmakaya. We can learn from everything that is around, that is in us.
In the west, Apollo and Dionysus strive for victory. Apollo makes the boundary lines that are civilization but that lead to convention, constraint, oppression. Dionysus is energy unbound, mad, callous, destructive, wasteful. Apollo is law, history, tradition, the dignity and safety of custom and form. Dionysus is the new, exhilarating but rude, sweeping all away to begin again. Apollo is a tyrant, Dionysus is a vandal.
The sacred tree, the sacred stone are not adored as stone or tree; they are worshipped precisely because they are hierophanies, because they show something that is no longer stone or tree but sacred, the ganz andere or 'wholly other.'
I always thought jazz was like the trunk of a tree. After the tree has grown, many branches have spread out. They're all with different leaves and they all look beautiful. But at the end of the season, they fold back up and it's still the tree trunk.
Nor does Apollo keep his bow continually drawn.
[Lat., Neque semper arcum
Tendit Apollo.]
Crowned with leaves of the laurel. In England the Poet Laureate is an officer of the sovereign's court, acting as dancing skeleton at every royal feast and singing-mute at every royal funeral.
The name Laurel is such a strange choice because I think when you look at me there's not one person that says 'Oh yeah, I could see you as a Laurel.'
Before 'Wings' came out, I told a few people that at the end of book one, readers should think Laurel made the right choice. Then, at the end of 'Spells,' they should understand why Laurel made the choice she did.
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