A Quote by Dorothea Lange

Photographers stop photographing a subject too soon before they have exhausted the possibilities. — © Dorothea Lange
Photographers stop photographing a subject too soon before they have exhausted the possibilities.
Photographers tend not to photograph what they can’t see, which is the very reason one should try to attempt it. Otherwise we’re going to go on forever just photographing more faces and more rooms and more places. Photography has to transcend description. It has to go beyond description to bring insight into the subject, or reveal the subject, not as it looks, but how does it feel?
As the possibilities for straightforward photography seem to have become exhausted it has been the photographers who know about the history of art, not simply the history of photography, who have shaped important directions for the future.
I never stopped photographing. There were a couple of years when I didn't have a darkroom, but that didn't stop me from photographing.
I never work with a screen. Other photographers have this black thing around, and they go back and look at it. I'd rather spend the time with the subject, photographing or discussing or talking, than staring at this thing. I'd rather look at what's going on.
I began photographing in 1946. Before that, I was a painter and drawer, with my mother and father's support. They were a bit pissed when I went into photography. They thought photographers were guys who took pictures at weddings.
There is no one way of photographing anything. I don't believe there is even one best way of photographing any given subject.
The main thing is to study pictures and stop listening to the pontifictaions of photographers. Photographers aren't oracles of wisdom. If they're good photographers, then take a good look at their pictures - what else do you need?
Many photographers think they are photographing nature when they are only caricaturing her.
Wars become history all too soon and are forgotten all too soon as well, before the lessons can be learned.
Story-telling is subject to two unavoidable defects,--frequent repetition and being soon exhausted; so that, whoever values this gift in himself, has need of a good memory, and ought frequently to shift his company.
People aren’t photographing for history any more. It’s for immediate gratification. If you’re photographing to share an image, you’re not photographing to keep it.
Photography is very presumptuous. Photographers are always photographing other people's lives - something they know nothing about - and drawing great inferences into it.
Rex has photographers around the world - it's a higher touch business: there are a lot of relationships involved. If you throw an event, there are certain photographers you've worked with before and you want there.
Every second the Universe divides into possibilities and most of those possibilities never happen. It is not a uni-verse -- there is more than one reading. The story won't stop, can't stop, it goes on telling itself, waiting for an intervention that changes what will happen next.
A lot of the challenge and the reason for the success of those one-shot photographers is that their pictures almost have to be subject proof. Because you usually only have a few minutes with the person. You never know who's going to walk into the room - whether they're going to be friendly, grumpy, sick of photographers, or between meetings.
When human reason has exhausted every possibility, the children can go to their Father and receive all they need. ... For only when you have become utterly dependent upon prayer and faith, only when all human possibilities have been exhausted, can you begin to reckon that God will intervene and work His miracles.
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