A Quote by Dorothy Allison
I tell my students you have an absolute right to write about people you know and love. You do. But the kicker is you have a responsibility to make the characters large enough that you will not have sinned against them.
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I don't write about love because it makes for easy, passive heroes. I write about how love makes my characters more autonomous, more self-possessed, more opinionated and powerful. I write about characters who pursue relationships that make them the people they want to become. I write about love as a superpower.
Do you know how some people can do anything?” “What do you mean?” “I mean, you tell them to write a tune, they give you a symphony right there. You tell them to write a book, they write you a novel in a day. You tell them to move a spoon without touching it, they move it. If they want something, they make it happen. Miracles, almost.
There was this large group of people that we were talking about on the first album - "The Youth" - but we didn't really know what to tell them. We still don't know what to tell them, but we want to make it seem like maybe there's something we know that they want to know, too.
Students will want to address the issues that they have a passion for, but I think that the challenge to this generation is the challenge of the climate crisis. Young people bring more enthusiasm, knowledge and sense of urgency on that issue. This is as planet they will inherit, they have a responsibility for it as well, and part of that responsibility is to urge people in power to make the right decisions about how we go forward.
It's not enough to have a dream, Unless you're willing to pursue it. It's not enough to know what's right, Unless you're strong enough to do it. It's not enough to learn the truth, Unless you also learn to live it. It's not enough to reach for love, Unless you care enough to give it Men who are resolved to find a way for themselves will always find opportunities enough; and if they do not find them, they will make them.
Over and over again women and men ... come to me saying, I don't know enough to write a book for adults, and so I'd like to try a book for children. And I tell them that when they have learned enough to write for an adult perhaps a child will listen to them.
Love is bumping along together with the people in your life and making mistakes and trying to make them right by virtue of the fact that these are people you actually love; you care about them enough to muddle through it with them.
I love playing different characters. I just do. I want to play even more quirky and interesting characters and just something that people wouldn't automatically think that I would be. I want to go against the grain a bit and I'm hoping people will be open-minded enough to cast me in stuff that's going against the grain.
When I used to teach creative writing, I would tell the students to make their characters want something right away.
I like to write about people who are real and likeable. I like to write about people who tell their stories in that close and intimate voice we use with best friends. I love the closeness and honesty and vulnerability that come from characters who can talk that way.
If there's anything about someone's life that's important enough to make a movie about it, I have to take responsibility to get all of it right. It's a huge responsibility.
All my main characters are people I'd love to sit around having coffee with. They are people who will tell you honestly about the things that scare them and worry them and trouble them. Because those moments of connection between women-when they really decide to be honest with each other about their lives-are some of the best things in life.
I think that as a writer your responsibility is to search for and stir up the things that are in this world. There is violence in all of us, and beauty, and strength, and weakness. What's my job? To only write about the good and the beauty, or is it to write about all of it? That's my greater responsibility, to write about them as I see them and as they are.
I tell students they will know they are getting somewhere when a scene is so painful they can just barely bring themselves to write about it. A writer has to draw blood.
I make extensive outlines before I write a book. I usually know what will happen. I know the characters, and I know what they are about.
If you get the characters right you've done sometimes nearly half the work. I sometimes find I get the characters right then the characters will often help me write the book - not what they look like that's not very important - what people look like is not about their character. You have to describe the shape they leave in the world, how they react to things, what effect they have on people and you do that by telling their story.
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