A Quote by Dorothy Draper
I always think out a problem as clearly as possible, and then act on it. My theory has always been to get started. The moment I get an idea I act upon it. If only people would act on more of their ideas, I am convinced they would lead more interesting lives.
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This is 2003, 2004. And then I started - after the Patriot Act, I would always get my financial packages in the mail and they would just be opened. And it was like, what is going on here?
The good enough parent, in addition to being convinced that whatever his child does, he does it because at that moment he is convinced this is the best he can do, will also ask himself: "What in the world would make me act as my child acts at this moment? And if I felt forced to act this way, what would make me feel better about it?
I think golf can be one of those places where we act and we hope that people act as we would like them to act all the time.
Separate out the creative act from the act of editing and execution. Make it a two-step process. First, let ideas flow and encourage EVERY idea to make it to the whiteboard. Don't criticize, judge, edit, budget, or worry. An idea on the wall can't hurt anyone, so let them rip without restriction. After any and all ideas have the opportunity to "come out to play", only then should you apply your analytical and logical side to the effort. Don't mix the creative process with the editing process or you'll kill your ideas before they even get a fighting chance.
A war not only arises, but derives its nature , from the political ideas, the moral sentiments, and the international relations obtaining at the moment when it breaks out. This amounts to saying:;: try and know why and with the help of what you are going to act; then you will find out how to act.
It is my deepest belief that only by giving our lives do we find life. I am convinced that the truest act of courage, the strongest act of manliness is to sacrifice ourselves for others in a totally non-violent struggle for justice.
I love to act, so the only way I could act was through community theatre and they would just do musicals. My musical upbringing was show-tunes and it sucks and I have been trying to get away from it ever since.
The first act is the easiest to plot. The second act is always the hardest to plot. Generally a good, you know, sometimes the third act can be difficult because you can get into a rut in the third act - everybody runs to their Corvette, has a chase, and you catch the bad guy.
I have struggles in screenwriting that lead me to a third act that's always more or less efficiently wrapped up in a fourth act that's trying to give closure to too many things.
I approach my life with logic. I do not act on impulse or emotion. I very seldom find that I say, 'And then I can't think what came over me, but I did this or that or the other.' I nearly always know how I will act and I nearly always act in that way. I don't catch myself out in embarrassing situations because I've acted without forethought. I calculate what I will do.
I loved auditioning because it was just an opportunity to act. Whether or not I got the job was the next hurdle, but the idea that I would get to act that day was the thing that excited me the most about it.
How much more interesting life would be if only more people had the courage and skill to act themselves, instead of abjectly understudying some one else!
No highly evolved being would ever seek to control the thoughts of anyone, or cause anyone to think or act involuntarily. More along the lines of inspiration and invitation. As when one suddenly experiences an insight, or says, "I've just had a great idea." They can accept it and act on it, or reject it out of hand. There's no "control" involved.
I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through?
As individuals, we have to act independently of the politics at hand. I don't feel an added responsibility to do anything more beyond being who I've always been and acting decently. I've always felt people are looking down on us and expecting us to fail. That's enough of a burden, and we automatically try to act with dignity.
I would say I am more concerned with the plays I'm going to do than the movies. I'm more comfortable in a play. In film, there's always a certain sense of control, of holding back. The stage is different ; there's more to act. There are more demands put on you, more experiences to go through.
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