A Quote by Dorothy L. Sayers

Heroics that don't come off are the very essence of burlesque. — © Dorothy L. Sayers
Heroics that don't come off are the very essence of burlesque.
There have been a lot of roles and scripts that have come my way but nothing that really inspired me or intrigued me like when "Burlesque" showed up at my door. Just the whole concept of burlesque, I've always been fascinated with it. I've always collected so many books about burlesque. I've been intrigued by the time that it's set in, in the 20's, 30's, 40's and so I knew it was a no brainer for me to be a part of once I met with the team.
Look, I come from vaudeville, I come from burlesque, I come from heartaches, I come from sadness, I come from gladness, I come from work and sweat and respect for the craft.
You know what my earliest memories are? Going from one burlesque town to another. My father was in burlesque.
Just the whole concept of burlesque, I've always been fascinated with it. I've always collected so many books about burlesque.
I've been involved in burlesque for a really long time and I've always been really interested in burlesque, and I was writing musicals for different studios.
Burlesque thrived during the Great Depression, and by extension, so, too, did Gypsy [Rose Lee]. Men could no longer afford to pay $5.50 to see a show on Broadway, but they could scrape together $1.00 for a matinee at a burlesque house.
I think Batman is a great character in that he has a lot of internalization, and his heroics come from a dark place.
Me personally, I want to entertain people above all. When you look back at burlesque in history and the real golden age of burlesque, those entertainers were there to entertain, and there wasn't usually some big political message behind what they were doing.
Classic burlesque in the style of Gypsy which many modern burlesque troupes practice is, at its core, so playful and teasing and innocent. It's not hardcore stripping so much as letting your body tell a story; the women are playing characters and unfolding a complete narrative onstage, with beginning, middle, and end.
I'm going to make the obvious point that maybe the word neurotic means the condition of being highly conscious and developed. The essence of neurosis is conflict. But the essence of living now, fully, not blocking off to what goes on, is conflict. In fact I've reached the stage where I look at people and say - he or she, they are whole at all because they've chosen to block off at this stage or that. People stay sane by blocking off, by limiting themselves.
In the drag community it's mostly women in the audience, even for burlesque. I think people look at strippping as a male gaze thing and I think the actual neo-classical burlesque community is more about women supporting women and their creativity, along with freedom of expression.
I'd done drag since I was 14, for special occasions, and in 2010 a friend of mine with her own burlesque group was looking for a host. During a party I was just fooling around, taking the microphone, saying stupid, funny things, and she asked me afterward if I wanted to host her burlesque show every Saturday.
And it's been a process of digging through the songs and trying to make them born on stage again. I think they are very different. I think they come off very differently. I think they come off, I don't know if it's masculine or outward, extroverted than introverted. I didn't know. It's just been a process.
Sharing is the essence of teaching. It is, I have come to believe, the essence of civilization...Without it, the imagination is but the echo of the self, trapped in a soundproof chamber, reverberating upon itself until it is spent in exhaustion or futility.
For me what was very important was to try to capture the essence that might have existed behind the myth, the human essence of the character.
I've been working very hard off-off-off-off-off-off-off Broadway and doing little films and really sweating my butt off in tiny little black boxes.
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