A Quote by Dorothy L. Sayers

The artist's knowledge of his own creative nature is often unconscious; he pursues his mysterious way of life in a strange innocence. — © Dorothy L. Sayers
The artist's knowledge of his own creative nature is often unconscious; he pursues his mysterious way of life in a strange innocence.
All the lies and evasions by which man has nourished himself civilization, in a word is the fruits of the creative artist. It is the creative nature of man which has refused to let him lapse back into that unconscious unity with life which characterizes the animal world from which he made his escape.
There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstand, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous, and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own.
I just want people to recognize my father as an artist who was way ahead of his time. He was a genius. His life just burnt out quicker than it should have. And that is unfortunate, but what is more unfortunate is that everybody focuses on the nature of his death as opposed to the nature of his life, which was so much greater and more important.
Every artist dips his brush in his own soul, and paints his own nature into his pictures.
The right of nature... is the liberty each man hath to use his own power, as he will himself, for the preservation of his own nature; that is to say, of his own life.
Too often in the past, we have thought of the artist as an idler and dilettante and of the lover of arts as somehow sissy and effete. We have done both an injustice. The life of the artist is, in relation to his work, stern and lonely. He has labored hard, often amid deprivation, to perfect his skill. He has turned aside from quick success in order to strip his vision of everything secondary or cheapening. His working life is marked by intense application and intense discipline.
There is a fundamental moral difference between a man who sees his self-interest in production and a man who sees it in robbery. The evil of a robber does not lie in the fact that he pursues his own interests, but in what he regards as to his own interest; not in the fact that he pursues his values, but in what he chose to value; not in the fact that he wants to live, but in the fact that he wants to live on a subhuman level.
Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.
In his creative work the artist is dependent on sources and resources deriving from the spiritual unconscious.
Art is life seen through man's inner craving for perfection and beauty-- his escape from the sordid realities of life into a world of his imagining. Art accounts for at least a third of our civilization, and it is one of the artist's principal duties to do more than merely record life or nature. To the artist is given the privilege of pointing the way and inspiring towards a better life.
An artist carries on throughout his life a mysterious, uninterrupted conversation with his public.
Obedience is a virtue of so excellent a nature, that Our Lord was pleased to mark its observance upon the whole course of His life; thus He often says, He did not come to do His Own will, but that of His Heavenly Father.
He who has so little knowledge of human nature as to seek happiness by changing anything but his own disposition will waste his life in fruitless efforts.
The main thing about SpongeBob is that he celebrates innocence. His outlook on life is very optimistic and earnest, and I think kids relate to that. He has a creative spark in the same way children are very creative from an open and naive perspective.
The critic, to interpret his artist, even to understand his artist, must be able to get into the mind of his artist; he must feel and comprehend the vast pressure of the creative passion.
The essence nature of the Brahmin is an urge to know the truth...the true Brahmin pursues truth at all costs and will not permit considerations of comfort or convenience to stand in his way. His most outstanding characteristic is his objectivity, his ability to rise above the dust of the arena, to resist the hypnotising effects of words and the blind passion of cults, political or religious.
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