A Quote by Dorothy L. Sayers

I gather that he nearly knocked you down, damaged your property, and generally made a nuisance of himself, and that you instantly concluded he must be some relation to me.
Some French socialist said that private property was theft... I say that private property is a nuisance.
The slave frees himself when, of all the relations of private property, he abolishes only the relation of slavery and thereby becomes a proletarian; the proletarian can free himself only by abolishing private property in general.
However, I must stress that my own interest is immediate and in the picture. What I am conscious of and what I feel is the picture I am making, the relation of that picture to others I have made and, more generally, its relation to others I have experienced.
It snowed last year too: I made a snowman and my brother knocked it down and I knocked my brother down and then we had tea.
If you allow fame to get the better of you, you become nuisance, a public nuisance, a nuisance as a friend, as a member of the family, a nuisance to yourself.
God picks you up. You don't pick yourself up. You're the one who knocked you down or even if somebody else knocked you down, your willingness to believe that what they said had value, was your conspiring with them, with their effort to knock you down - I've never been able to get myself up and I've noticed that every time I ask God to pick me up - he does.
The liberty of the individual must be thus far limited; he must not make himself a nuisance to other people.
I've fallen down crevasses, been bitten by snakes, been knocked unconscious, had various limbs broken and once, a heavy camera came plunging down which very nearly decapitated me.
I do believe any hero is a person that can be knocked down. A failure isn't a person who gets knocked down; a failure is a person who stays down, and to me, the great heroes take the beating, get knocked down and stand back up again. Perseus is defined as one of the great heroes in literature, so you gotta take that on board.
It is not a shame to be knocked down by other people. The important thing is to ask when you're being knocked down, 'Why am I being knocked down?' If a person can reflect in this way, then there is hope for this person.
You owe me!" -Stephanie "Why do I owe you?" -Joe "I caught your no good cousin." -Stephanie "Yeah and in the process you burned down a funeral home, and damaged thousands of dollars of government property." -Joe "Well if you are going to be picky about it...." -Stephanie
Pitchers did me a favor when they knocked me down. It made me more determined. I wouldn't let that pitcher get me out. They say you can't hit if you're on your back, but I didn't hit on my back. I got up.
Then there was the time in Hollywood when I sat down in a breakaway chair and it collapsed on me. I was nearly knocked out and might have been even more seriously hurt but my fall was broken by the smog.
I got knocked down. Anybody could be knocked down, anybody can be knocked out, but it's not what happened, but what happens next.
If we would have civilization and the exertion indispensable to its success, we must have property; if we have property, we must have its rights; if we have the rights of property, we must take those consequences of the rights of property which are inseparable from the rights themselves.
The protagonist of Fourteen Stories, None of Them Are Yours doesn’t make it easy for us, channeling as he does Barry Hannah and Denis Johnson by way of Rick Bass and Dennis Hopper, and self-presenting as yet another damaged romantic who thinks it’s always time to play the cowboy, skating in and out of sense. He can’t see right, and he’s haunted by nearly everything. He’s trying to open up or shut himself down or at least get a hold of himself. He’s trying to make do with what he’s done, while he reminds us that we’re all, one way or another, in that position.
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