A Quote by Dorothy McGuire

I had such extraordinary breaks from the moment I entered the theater. — © Dorothy McGuire
I had such extraordinary breaks from the moment I entered the theater.
From the time I was five years old, theater was all I knew. I did community theater; I went to theater school. It's like going to the gym as an actor: every single night, you have to recreate the illusion of the first time, so you really have to listen and connect and stay in the moment for an hour and a half - with no breaks.
I think I had a particular moment when I was 15 years old. I read 'Crime and Punishment,' and that book just, I think, more than any other book made me want to be a writer, 'cause it was the first time that I hadn't just entered a book, but a book had entered me.
The moment that changed me for ever was when I had my first seminar with my history professor at the University of Sussex. I realised that history would answer all the questions I had spent my life asking. It was an extraordinary moment.
I've entered politics the moment I marked my finger with the electoral voting mark. So I've entered politics, but I am not a politician. I am doing my duty as a citizen of India.
Adam and Eve entered the world naked and unashamed - naked and pure-minded. And no descendant of theirs has ever entered it otherwise. All have entered it naked, unashamed, and clean in mind. They entered it modest. They had to acquire immodesty in the soiled mind, there was no other way to get it. ... The convention mis-called "modesty" has no standard, and cannot have one, because it is opposed to nature and reason and is therefore an artificiality and subject to anyone's whim - anyone's diseased caprice.
My life has been so fortunate. I have had most extraordinary good fortune in my life. I sort of put it into three categories, the three major stepping stones. One being London Hippodrome theater stage debut when I was 12, when it started my career. The second being going to Broadway. And the third going to Hollywood. Each one of those happened under the most extraordinary circumstances.
Christians are as subject to complacency as anybody else, and we can certainly settle into repetition and forget that something radical and extraordinary is being asked of us as well - that we hold to an extraordinary promise about how, from moment to moment, something enters the world and enters us, after which everything is different.
I find theater terrifying. There are no do-overs, you know? It's all happening live. You need to be in it 100 percent at any given moment, and the audience is right there. I'm really intimidated by theater, but it is my first true love. I love theater. I love that anxiety.
I'd love to go back to Greek times and see the birth of theater and performing, in that time. It would be so extraordinary to see the need that theater came out of, in the first place. I think we could probably all learn a bit from that.
I think it's so incredibly special to be able to try to recapitulate that feeling I had when I was sitting in that theater, as a 7-year-old. It's an extraordinary job. I'm incredibly lucky.
People whine, 'I haven't succeeded because I haven't had the breaks.' You create your own breaks.
I've never had any feeling of disconnection between the classical theater, or the contemporary theater, or musical theater, or the thing that we call opera.
In the silence of a midwinter dusk, there is a sound so faint that for all you can tell it may be only the sound of the silence itself. You hold your breath to listen. You are aware of the beating of your heart. The extraordinary thing that is about to happen is matched only by the extraordinary moment just before it happens. Advent is the name of that moment.
I really wanted to go back to the theater, the live theater. That was the thing I had never had a chance to do, even though I had trained to be a stage actress.
There was a brief moment after 9/11 when Colin Powell said we "should not rush to satisfy the desire for revenge." It was a great moment, an extraordinary moment, because what he was actually asking people to do was to stay with a sense of grief, mournfulness, and vulnerability.
If the golden gate of preferment is not usually opened to men of real merit, persons of no worth have entered it in a most extraordinary manner.
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