A Quote by Dorothy Nevill

The commercial class has always mistrusted verbal brilliancy and wit, deeming such qualities, perhaps with some justice, frivolous and unprofitable. — © Dorothy Nevill
The commercial class has always mistrusted verbal brilliancy and wit, deeming such qualities, perhaps with some justice, frivolous and unprofitable.
Wit penetrates; humor envelops. Wit is a function of verbal intelligence; humor is imagination operating on good nature.
By wit we search divine aspect above, By wit we learn what secrets science yields, By wit we speak, by wit the mind is rul'd, By wit we govern all our actions; Wit is the loadstar of each human thought, Wit is the tool by which all things are wrought.
There are interesting forms of difficulty, and there are unprofitable forms of difficulty. I mean, I enjoy some difficult poetry, but some of it is impenetrable and I actually wouldn't want to penetrate it if I could, perhaps.
Fortune, the great commandress of the world, Hath divers ways to advance her followers: To some she gives honor without deserving; To other some, deserving without honor; Some wit, some wealth,--and some, wit without wealth; Some wealth without wit; some nor wit nor wealth.
A wise man will live as much within his wit as his income.... Bear this truth always in your mind, that you may be admired for your wit, if you have any; but that nothing but good sense and good qualities can make you be loved.
My favorite class as an undergraduate was a political theory class on justice. Now, 'justice' is hardly a self-defining term, and much smarter men than I have developed various definitions over the centuries. The class put Plato at one end and Nietzsche at the other, and off we went.
Sometimes I was frivolous. Did you have some frivolous years? I had to live mine out in public.
Truth is disputable; not taste: what exists in the nature of things is the standard of our judgement; what each man feels within himself is the standard of sentiment. Propositions in geometry may be proved, systems in physics may be controverted; but the harmony of verse, the tenderness of passion, the brilliancy of wit, must give immediate pleasure. No man reasons concerning another's beauty; but frequently concerning the justice or injustice of his actions.
All I can do in my writing is to stimulate a certain amount of thought, clarify some technical facts and date my work. But when I preach sharpness, brilliancy, scale, etc., I am just mouthing words, because no words can really describe those terms and qualities it takes the actual print to say, “here it is.
As you always discover when you make something, typically if your object isn't frivolous, people's relationship to it isn't frivolous.
There are a lot of ideas I have that I think would be very marketable and commercial, but they're not as compelling to me as the ones that are unmarketable, uncommercial, and unprofitable.
No one praises happiness as one praises justice, but we call it a 'blessing,' deeming it something higher and more divine than things we praise.
I'm a commercial director; I do some very very commercial stuff in the commercial world. My music videos are always analyzed. I need to think about what the audience is going to think.
But the gravest difficulty, and perhaps the most important, in poetry meant solely for recitation, is the difficulty of achieving verbal beauty, or rather of making verbal beauty tell.
By some curious mischance, a couple of my plays managed to hit an area where commercial success was feasible. But it's wrong to think I'm a commercial playwright who has somehow ceased his proper function. I have always been the same thing - which is not a commercial playwright. I'm not after the brass ring.
The frivolous can call me frivolous. I've always been most punctilious about important things. And I insist that no one knows better than I do the Holy Fathers, or the Scriptures, or the Canons of the Councils.
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