A Quote by Dorothy Parker

Of course I talk to myself. I like a good speaker, and I appreciate an intelligent audience. — © Dorothy Parker
Of course I talk to myself. I like a good speaker, and I appreciate an intelligent audience.
Paul Ryan is speaker of the house and that - that is up to members of the caucus. Donald Trump is not running for a congressman from Manhattan where he would actually vote on the speaker. But I appreciate the good wishes that we're actually going to be the next president of the United States and that we'll have to work with the speaker.
The best meeting I ever went to was a meeting in France where the talk slots were 60 minutes long, but you were told to prepare a five-minute talk. It was absolutely great because the entire talk was a conversation between the speaker and the audience.
I've always been very shy and sheltered; I think it was a good way of starting to communicate with people. I was taught as a child never to talk about myself, never to talk about my emotions. Of course, now I talk about myself constantly. Now I have to take reverse est.
Speakers find joy in public speaking when they realize that a speech is all about the audience, not the speaker. Most speakers are so caught up in their own concerns and so driven to cover certain points or get a certain message across that they can't be bothered to think in more than a perfunctory way about the audience. And the irony is, of course, that there is no hope of getting your message across if that's all the energy you put into the audience. So let go, and give the moment to the audience.
When I give talks like the one I'm going to give at the Changing Advertising Summit, one of the points I often make to the audience is that I'm not one of those speakers who stands in front of the audience and pontificates - everything I talk about I'm actually doing myself. I'm living it.
I consider myself a pretty good extemporaneous speaker. Even though I don't like speaking in front of people, I don't think I'm bad at it.
She was so intelligent that she could think herself into beauty. Intelligence...they don't talk about it much, the poets, but when a woman is intelligent and passionate and good.
I really appreciate and respect the audience. People pay their hard-earned money to go watch you, so I feel like it's my job to give 100,000% of myself to what I'm doing.
With solo shows, you have complete control over the set list. If you feel like you want to do something different or do a new song, you can just work it in. You can talk to the audience or not talk to the audience. There's nothing that's set.
I think I'm comfortable making myself, or my speaker, larger than life if I can then cut myself off at the ankles. The way, in "My Major Prize," the speaker does this drippy performance of sadness and poetry for some unnamed prize committee, only he lets us know that it's all a wry game.
One of my favorite things is acting like a speaker or a professor or a CEO of a company and addressing the audience like a group of engineers or designers or marketers.
As an actor, you should always keep your trump card hidden from your audience. I want the audience to keep expecting more and more from me. I want to do 'different' work - good and memorable roles - so that audience appreciate me more. That's why I love to surprise my audience with something they never expect me to do.
I taught myself how to be a speaker on Google. I just Googled 'how to be a motivational speaker.'
You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.
I'm working for myself; what else have I got to work for? How can you work for an audience? What do you imagine an audience would want? I have got nobody to excite except myself, so I am always surprised if anyone likes my work sometimes. I suppose I'm very lucky, of course, to be able to earn my living by something that really absorbs me to try to do, if that is what you call luck.
As things grew for me I felt like I was losing myself and wanted to stay true to myself as well. I didn't want to lose any connection I had with the audience. I felt small on a big stage and I felt like I was peaking generically to an audience.
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