A Quote by Dorothy Parker
The writer's way is rough and lonely, and who would choose it while there are vacancies in more gracious professions, such as, say, cleaning out ferryboats?
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To say that a writer's hold on reality is tenuous is an understatement-it's like saying the Titanic had a rough crossing. Writer's build their own realities, move into them and occasionally send letters home. The only difference between a writer and a crazy person is that a writer gets paid for it.
When he talked to you, you seemed to fit in, but when someone else was talking, or he would be distracted, you jsut looked lonely over there. At least to me. But whenever I would tell you that, you'd say "I'm fine. I just slip out of it, you know?" And I'd say "I'll catch you," and you would say, "It's not the kind of slipping you can catch.
There is only one way out of the trap: that you don`t choose; neither this nor that - you simply don`t choose. You withdraw from choice and you become choiceless. Choicelessness is freedom. To choose is to choose a prison; to choose is to choose a bondage. To choose is wrong, to be choiceless is to be right.
Getting fired can produce a particularly bountiful payday for a CEO. Indeed, he can 'earn' more in that single day, while cleaning out his desk, than an American worker earns in a lifetime of cleaning toilets. Forget the old maxim about nothing succeeding like success: Today, in the executive suite, the all-too-prevalent rule is that nothing succeeds like failure.
The first is that good writing consists of mastering the fundamentals (vocabulary, grammar, the elements of style) and then filling the third level of your toolbox with the right instruments. The second is that while it is impossible to make a competent writer out of a bad writer, and while is equally impossible to make a great writer out of a good one, it is possible, with lots of hard work, dedication, and timely help, to make a good writer out of a merely competent one
Female influence came from my grandmother and my aunt. They would sing Corsican love songs while cleaning the house and dress all in black and say melodramatic things like: 'I want to die.'
While I have felt lonely many times in my life, the oddest feeling of all was after my mother, Lucille, died. My father had already died, but I always had some attachment to our big family while she was alive. It seems strange to say now that I felt so lonely, yet I did.
Writing is alone, but I don't think it's lonely. Ask any writer if they feel lonely when they're writing their book, and I think they'll say no.
I have come to understand myself as more of a New York writer, or more of a woman writer, but I don't feel like that while I'm writing. But I think that most New Yorkers would object to calling me a New Yorker. I didn't grow up here.
The first draft is for YOU, the writer; the second and subsequent drafts are for the reader. Trying to do both things at once — figuring out what we want to say, while also fashioning it for another human being to read — is the cause of writer’s block.
Sirius, the brightest star in the heavens.... My grandfather would say we're part of something incredibly wonderful - more marvelous than we imagine. My grandfather would say we ought to go out and look at it once in a while so we don't lose our place in it.
I did an internship at the Ardent theatre company in Philly after dropping out of college. I was earning $165 a week building sets and cleaning the toilets. Cleaning toilets is a good way of getting in touch with your creativity. That's when you find out if you got anything going on in your head.
I've got a hard road to travel and a rough, rough way to go. Said, it's a hard road to travel and a rough, rough way to go. But I can't turn back, my heart is fixed, my mind's made up, I'll never stop, my faith will see me through.
When people ask me what qualifies me to be a writer for children, I say I was once a child. But I was not only a child, I was, better still, a weird little kid, and though I would never choose to give my own children this particular preparation for life, there are few things, apparently, more helpful to a writer than having once been a weird little kid.
Many a young person tells me he wants to be a writer. I always encourage such people, but I also explain that there's a big difference between being a writer and writing. In most cases these individuals are dreaming of wealth and fame, not the long hours alone at the typewriter. You've got to want to write, I say to them, not want to be a writer. The reality is that writing is a lonely, private and poor-paying affair. For every writer kissed by fortune, there are thousands more whose longing is never requited. Even those who succeed often know long periods of neglect and poverty. I did.
As a rough rule of thumb, I would say the smaller the pond, the more belligerent the fish.
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