A Quote by Dorothy Parker
I can't talk about Hollywood. It was a horror to me when I was there and it's a horror to look back on. I can't imagine how I did it. When I got away from it I couldn't even refer to the place by name. ''Out there,'' I called it.
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If you have a year where a few good horror films come out, all of the sudden, horror is back and everyone's talking about how it's a vintage year for horror.
When there's a great horror movie, people are like, 'Horror's back!' And when there's a series of not so good ones, 'Horror's dead.' I think it's all about the quality. When there are one or two good horror movies in a row, people come out interested again.
The truth is, it's very hard looking back... we look at holocaust now with such knowledge and such a sense of the horror of what it was, that it's hard to believe even now that in 1930s and 1940s, before something like this had happened, that it could be impossible to imagine the extent of this horror.
Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening.
As a kid I was into horror. I loved horror. Horror was huge. I was always into horror. Goosebumps for me was massive growing up. Horror for me was always a big thing.
Horror itself is a bit of a bullied genre, the antagonist being literary snobbery and public misconception. And I think good horror tackles our darkest fears, whatever they may be. It takes us into the minds of the victims, explores the threats, disseminates fear, studies how it changes us. It pulls back the curtain on the ugly underbelly of society, tears away the masks the monsters wear out in the world, shows us the potential truth of the human condition. Horror is truth, unflinching and honest. Not everybody wants to see that, but good horror ensures that it's there to be seen.
I booked a horror film called 'Where the Devil Hides.' It's... you know, a horror film. But it was the first full-length movie I'd ever done, and it got me my visa, and I could start work.
I guessed his name was Face of Horror. I wondered how long it had taken his mom to think of that. Bob? No. Sam? No. How about Face of Horror?
The definition of horror is pretty broad. What causes us "horror" is actually a many splendored thing (laughs). It can be hard to make horror accessible, and that's what I think Silence of the Lambs did so brilliantly - it was an accessible horror story, the villain was a monster, and the protagonist was pure of heart and upstanding so it had all of these great iconographic elements of classic storytelling. It was perceived less as a horror movie than an effective thriller, but make no mistake, it was a horror movie and was sort of sneaky that way.
The horror movie will not go away. Look at the change in the Hollywood landscape as a signifier of its durability. At one point it was just one of many styles of films called 'product' that between, say, 1930 and 1970, the movie city ground out like sausages or hula hoops at a rate of four or five a week.
O horror! Horror! Horror! Tongue nor heart Cannot conceive nor name thee!
Then my first film was something called Cannibal Girls, which sounds like a horror movie but was actually kind of a goofy comedy with horror elements. Like a horror spoof.
Even as a child, when kids my age would watch cartoons, I preferred watching horror flicks. I had watched some Hollywood horror flicks and even films made by the Ramsay brothers by the time I was six! I have always been biased towards that genre.
Mental hospitals are great for horror movies because they're already scary even without the horror or supernatural elements. This is a place where you can play with the ideas of one's sanity, what's real and what's not.
I wouldn't exactly describe 'Detention' as a horror movie. I mean, it does have horror elements in it, but it's got a lot more to it, and it's not a typical horror movie.
When you're talking horror or sci-fi, you're working in a genre that has loosely certain thematic elements, or, you could even call them rules. But rules are there to be broken. I think that young filmmakers should go all the way back to the history of horror, from silent films like "Nosferatu", and through to today's horror films, so they understand the history of horror films and what has been done. Understand that, and then add something new or original.
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