A Quote by Dorothy Parker

Somewhere, there, is an analogy, in a small way, if you have the patience for it. But I guess it isn't a very good anecdote. I'm better at animal stories. — © Dorothy Parker
Somewhere, there, is an analogy, in a small way, if you have the patience for it. But I guess it isn't a very good anecdote. I'm better at animal stories.
It is very hard to be brave," said Piglet, sniffing slightly, "when you're only a Very Small Animal." Rabbit, who had begun to write very busily, looked up and said: "It is because you are a very small animal that you will be Useful in the adventure before us.
Analogy and allegory always seem to be a much more expressive way of reflecting reality. I think Star Trek team have this ability to represent through analogy and extending things to the scientific extreme. They comment on things that are very present in a really powerful way.
I guess I've always been kind of obsessed with food. I always liked drawing food, and I always liked stories - I think I probably just read somewhere that stories are better if someone's eating in them. I don't know where that came from, but it really stuck, and I always try to put food in.
Man is always something worse or something better than an animal; and a mere argument from animal perfection never touches him at all. Thus, in sex no animal is either chivalrous or obscene. And thus no animal invented anything so bad as drunkeness - or so good as drink.
Ethologists are often accused of drawing false analogies between animal and human behaviour. However, no such thing as a false analogy exists: an analogy can be more or less detailed and, hence, more or less informative.
Ever since I can remember, I've always wanted to tell stories, but I never had the patience to sit down at a typewriter and write short stories or anything like that. I started writing songs as a way of communicating ideas the best way I could.
I think that what one can see from a Darwinian account is how the addition of culture in our species turns us into a very special sort of animal, an animal that can be a moral agent in a way that no other animal can be.
I try to make statements that aren't broad because that doesn't make for good writing. I don't get commentary as my job, because I'm not very good at that. The way I do it is by writing songs, and I have to be small; I have to make the stories a bit personal.
I'm not a person who believes in the great difference between women and men as editors. But I do think that quality is key. We're very good at organizing and discipline and patience, and patience is 50 per cent of editing. You have to keep banging away at something until you get it to work. I think women are maybe better at that.
Against my better judgment I feel certain that somewhere very near here—the first house down the road, maybe—there's a good poet dying, but also somewhere very near here somebody's having a hilarious pint of pus taken from her lovely young body, and I can't be running back and forth forever between grief and high delight.
He sits in his car at traffic lights on his way out sometimes and tries to estimate how many times he has sat here, waiting at these traffic lights on his way somewhere without you, hoping to meet someone with the capacity to consign you to an anecdote, to be eventually confused with others
For me, my lack of patience in real life - I have always had very little patience. It's been very much my downfall in life. But having a child puts it in perspective. Very quickly you're like, "Oh, I need to learn what patience is."
Reading good books is one distraction that will help you become a better writer. And writing - that's the thing - writing is what will really make you a better writer. Write bad stories until you begin to write so-so stories, which might, if you keep at it, turn to writing good stories.
I guess I still feel that way and yet I'm slightly hesitant to insist on that idea, that it "better be fun for the writer." Or rather, that if it is, then the pleasure is a sign that it's good. Maybe I feel I've read that somewhere, other writers saying it, and I just think there is possibly no formula, and I don't like to read an interview with a writer where they just lay out the doxa of what quality is. It can seem brittle to do that.
I grew up in Sierra Leone, in a small village where as a boy my imagination was sparked by the oral tradition of storytelling. At a very young age I learned the importance of telling stories - I saw that stories are the most potent way of seeing anything we encounter in our lives, and how we can deal with living.
I like the way the stories of my relationships sound to music more than the way they look in print, in gossip columns or in me talking about them in interviews. I think it's a better way of telling the stories.
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