A Quote by Dory Previn

I was always afraid to write music. — © Dory Previn
I was always afraid to write music.
They're afraid of change, and we must change. They're afraid of the young, and we are the young. They're afraid of music, and music is our life. They're afraid of books, and knowledge, and ideas. They're most afraid of our magic.
My message to anyone who's afraid that they can't write music when they're happy is 'Just trust the passion.' The passion can write a lot of things.
There was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
One of the things I always underscore when I teach criticism is that young critics, or would be critics, frequently have this illusion that if they write about music they're somehow part of music, or if they write about movies they're part of movies, or of they write about theater they're part of theater, or write about literature. Writing is a part of literature, we belong the species of literature. If you add all the music reviews together that have ever been written, they don't create two notes of music.
As a young woman, I experienced high school and heartbreak, and the music I started to write was a little bit more poetic, and more inspired by spoken word. The real raw emotional things that sit in the back of our minds, that you were afraid to say? That's how I started to write my music. And that's how 'H.E.R. Volume One' came about.
I always tell students that writing a poem and publishing it are two quite separate things, and you should write what you have to write, and if you're afraid it's going to upset someone, don't publish it.
There's always fear. There's always fear. Always fear. Anyone who says they are not afraid is lying to you. Because this can all change tomorrow. I could say something dumb today and be in the news for it tomorrow. And maybe the phone stops ringing. You're always afraid of losing what you have. Regardless of success or anything, you're always afraid.
Do not be afriad! I can see that Americans are not afraid. They are not afraid of the sun, they are not afraid of the wind, they are not afraid of 'today'. They are, generally speaking, brave, good people. And so I say to you today, always be brave. Do not be afraid. Do not be afraid. God is with you. Do not be afraid to search for God-then you will truly be the land of the free, the home of the brave. God Bless America.
I always write my novels with music (I don't listened to the music seriously.) Music seems to encourage me.
I love all types of music. Jazz, classical, blues, rock, hip-hop. I often write scripts to instrumentals like a hip-hop artist. Music inspires me to write. It's either music playing or completely silent. Sometimes distant sound fuels you. In New York there's always a buzzing beneath you.
My main piece of advice would be don't worry about being published - just write a really good book, but also don't be afraid to write a bad book. Give yourself permission to fail, and don't be afraid.
I write for fanboy moments. I write to give myself strength. I write to be the characters that I am not. I write to explore all the things I'm afraid of. I write to do all the things the viewers want too. So the intensity of the fan response is enormously gratifying. It means I hit a nerve.
I've been in the music business for 15 years. I've seen it all, man. I've just always been scared of coke. When I was on the road and saw some people do it, I was afraid I would really like it. I was afraid of the consequences.
It [horror genre] never dies. It just keeps getting re­invented and it always will. Horror is a universal language; we're all afraid. We're born afraid, we're all afraid of things: death, disfigurement, loss of a loved one. Everything that I'm afraid of, you're afraid of and vice versa. So everybody feels fear and suspense.
This site uses cookies to ensure you get the best experience. More info...
Got it!