A Quote by Doug Aitken
What The Source becomes, in a physical sense, is almost like this particle accelerator. There's all these different, discrete voices and ideas. If you just saw two of them together perhaps it might seem completely diverse and like, "Why do you have these two people together?" But as it grows and as it speeds up, it kind of creates a larger dialogue.
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A successful relationship is not about two people staring into each other's eyes, it's about two people looking ahead together. I think in order to construct, it's not just, "you do this, then I'll do this." It's more like, "let's work on these ideas together, and just move together, with these ideas." It does create a balance.
I got to thinking about relationships and partial lobotomies. Two seemingly different ideas that might just be perfect together - like chocolate and peanut butter.
Every once in awhile, Allison Abbate would drop a note and say, "It's going really well!," and I was like, "Great!" So, I had not seen it in about two years. They went off and started shooting, and I saw it all put together with almost the final sound mix and it was remarkable. I was so, so happy and relieved, not in the sense that I thought something had gone wrong, but you just don't know what something is going to be like until you see it put together. Everyone stepped up and brought their A+ game.
When two texts, or two assertions, perhaps two ideas, are in contradiction, be ready to reconcile them rather than cancel one by the other; regard them as two different facets, or two successive stages, of the same reality, a reality convincingly human just because it is too complex.
The living together is very important in a way. It's important for writing. It wouldn't be important if we were like just getting other people's numbers together, we'd just have to meet at rehearsals, but writing is something almost completely different.
'Brokeback Mountain' is a sad love story about two people who can't be together, and the reason that they can't be together is because being gay is a stigmatized thing. It would be interesting to have the same movie in which the two guys weren't in the closet and there was no shame about them being gay and they couldn't be together for other reasons. I still feel like we're a long way from that happening.
I'd like to drill in a little more detail into one aspect of cutting which is particularly close to me and that's dialogue editing. It is a vital part of editing especially in animated film, but in the end it is usually completely transparent to the audience. The vocal performances are reported for over several years and the actors are very rarely in recording studios together. That's why the editor has got to all these different performances and edit them together to create the illusion of spontaneity and real action.
When I go to the cinema, I want to have a cinematic experience. Some people ignore the sound and you end up seeing something you might see on television and it doesn't explore the form. Sound is the other picture. When you show people a rough cut without the sound mix they are often really surprised. Sound creates a completely new world. With dialogue, people say a lot of things they don't mean. I like dialogue when it's used in a way when the body language says the complete opposite. But I love great dialogue I think expositional dialogue is quite crass and not like real life.
It's always good I think in general to have different energies on screen, like it's nice to have different characters go at different speeds, just like different people work at different speeds.
I like how time goes on set. It's almost like time on an airplane or something where people are together. It's a different, very trippy kind of time, I find, because you're together in imaginary time where you're out of time. You're called upon to be present and honor what can happen in the moment. And the whole day can go like that. The whole day can be a kind of meditation.
Perhaps the couple got married at 25 and now they're 45 and this is an option. And if a couple is still together, or perhaps finds its way back together, I like to say that it's forever. They belong together, it's a good fit, it's the right pairing. It almost gives me goose bumps.
Two fixed ideas can no more exist together in the moral world than two bodies can occupy one and the same place in the physical world.
I was always fighting with everyone when I was a kid. I was playing with people two or three years older than me, and I had to survive. So I love the physical game, the contact. And I don't know why, but I think football is like this. It is not just touching the ball and stringing together 50 pretty passes consecutively.
If we change in different directions, then we don't have any future anyway, do we? I think it's possible for two people to change together, to grow together and enrich instead of diminish each other. The sum of one and one, if they're the right ones, can be infinity! But so often one person drags the other down; one person wants to go up like a balloon and the other's a dead weight. I've always wondered what it would be like if both people, if a woman and a man both wanted to go up like balloons!
I try and be just completely me on stage. I try and put that across, and people seem to get that personality that I have, so I do try not to become two different people and two different faces.
I saw Brahms's Hungarian Rhapsody on television when I was two. Tom and Jerry were playing it together. I thought, 'Hey, if a cat can play like that, why can't I?'
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