A Quote by Doug Aitken
When you make work, the concept is the basis for it; all choices of aesthetics or mediums come later.
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Running in the morning has me appreciate all the choices that come later in the day. The choices I make after running seem healthier, wiser and kinder.
Sooner or later, the ones who told you that this isn't the way it's done, the ones who found time to sneer, they will find someone else to hassle. Sooner or later, they stop pointing out how much hubris you've got, how you're not entitled to make a new thing, how you will certainly come to regret your choices. Sooner or later, your work speaks for itself. Outlasting the critics feels like it will take a very long time, but you're more patient than they are.
I'm very fortunate in that all the mediums I work in are extremely collaborative. Movies are probably the most solitary on a day to day basis, but even then you have producers and studio executives to work with and bounce ideas off of.
The picture is not a documentary, ... It's a drama that has to be crafted. Reality is not art. You have to make choices when you're trying to make something work. And the choices we make I think are accurate. There aren't any lies in it. There are assumpt
We all have choices that we are empowered to make on a daily basis, and while those choices can be limited by affordability and accessibility, we still have the opportunity to make our best choice. That best choice usually requires more effort and more thought, but, undeniably, the results are worth it.
I came in making choices about how I deploy aesthetics and imagery strategically. It seems to me that's the only legitimate way of making work.
No matter what choice you make, it doesn't define you. Not forever. People can make bad choices and change their minds and hearts and do good things later; just as people can make good choices and then turn around and walk a bad path. No choice we make lasts our whole life. If there's ever a choice you've made that you no longer agree with, you can make another choice.
Yeah, we could have done things differently. But - If we'd done things differently, we wouldn't be who we are. We are the sum of the choices we make. Even the bad choices we make. I made a lot of bad choices, but on the other hand, I am who I am, and I'm proud of my work, and I'm proud of my family, and those are also the product of choices, including financial choices, that I made.
In this life we have to make many choices. Some are very important choices. Some are not. Many of our choices are between good and evil. The choices we make, however, determine to a large extent our happiness or our unhappiness, because we have to live with the consequences of our choices. Making perfect choices all of the time is not possible. It just doesn't happen. But it is possible to make good choices we can live with and grow from.
We all have choices we have to make, and with those choices come certain sacrifices.
It's time for the aesthetics of upwardly mobile feminist respectability to make room for the aesthetics of survival, particularly trans survival.
You rarely have time for everything you want in this life, so you need to make choices. And hopefully your choices can come from a deep sense of who you are.
I kind of like the idea of taking a concept and going all the way with it, even if it's not completely plausible. It's something that I like about making movies. You have a concept that maybe would not work in real life, but you can make it work in the world you're creating.
In this life, we have to make many choices. Some are very important choices. Some are not. Many of our choices are between good and evil. The choices we make, however, determine to a large extent our happiness or our unhappiness, because we have to live with the consequences of our choices.
Once you accept the fact that people have 'individual choices' and they're 'free' to make those choices. Free to make choices means without being influenced and I can't understand that at all. All of us are influenced in all our choices by the culture we live in, by our parents, and by the values that dominate. So, we're influenced. So there can't be free choices.
For me, the value of a climb is the sum of three inseparable elements, all equally important: aesthetics, history, and ethics. Together they form the whole basis of my concept of alpinism. Some people see no more in climbing mountains than an escape from the harsh realities of modern times. This is not only uninformed but unfair. I don’t deny that there can be an element of escapism in mountaineering, but this should never overshadow its real essence, which is not escape but victory over your own human frailty.
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