A Quote by Doug Aitken

I have always just made things. I don't see what I make as being defined by a medium or aesthetic. It probably comes more from a fundamental restlessness, an attempt to create tools for questioning or understanding, and I have always been interested in using a wide spectrum of mediums to do this.
I think my favorite medium is music, with my main tools being my voice and a guitar. But I do find every other medium extremely fulfilling and useful in helping everything I do. Sometimes I need to make a song just for a comic. All of the art and mediums are connected for me.
Realizing that our minds control our bodies while our bodies reflect our minds amounts to understanding the most fundamental aspects of ourselves. It further equals a comprehension of the relationship between our "tools." And since the mind and body are interrelated, this understanding makes it easier to see why coordinating them is a practical way of using these tools to greatest effect-a way of using the mind and body to live our lives as art.
I noticed a lot of bands always having a few people in the band being interested in recording and audio production, so I got the idea to create products that would appeal to them. Rather than create tools that only engineers could understand, I designed tools that any musician could use and get instant great sounding results.
It just struck me that one of the things about photography that made it such a compelling medium to deal with is that it is perhaps the most contradictory of mediums.
It has always been my belief that creation, the making of 'art' in any medium or combination of mediums, is a holy act.
I had certain physical limitations that made me change the choreography for myself or made me more interested in choreography only rather than dancing. I have never been a person who wanted to just dance. I have always been interested in developing for other people.
I've been lucky enough to do this fantastic job now for more than 50 years. To make people laugh, to entertain, create a wide range of emotions - it has always been a tremendous thrill for me, and it still is.
I've always been attracted to the darker things in life. I was never one to go for light, airy stuff, even as a child. My whole aesthetic has always been one of the darker side. That rings true also in my tastes in music. It's just always something I've gravitated to naturally.
Trump is a businessman, but he is such a creature of the entertainment world. It feels that the entertainment industry is more entwined with politics than ever before. I just think he is who he is. You can't blame him for being who he is. He's always been like that. He's our fault - that's how I see it. We let him come to where he is. I'm not so interested in blaming him; that's being done enough by others. I'm more interested in: How did this happen?
I've always been interested in the news, but I've always been interested in what's popular. I've always had a little bit of a populist take on things. Which I know is interesting when you talk about Donald Trump.
I always feel like I just wanna go, and that's something that I'm learning every day - understanding to think more instead of just going because I see an advantage or I see that 'oh, I can make this move, I can make this shot.'
What's always interested me the most about ballet is it's this great opportunity for many different artistic mediums to come together to create a cohesive experience.
I remain interested in the potential of art, except I've always been more struck by applied modernism than high modernism. It's partly because of feminist theory and being brought up in the '70s, with questioning who is speaking, and why, and what authority they're carrying.
I've always been interested in using mathematics to make the world work better.
I think that there is a purity aesthetic, like "I just make art because I'm an artist and I can't help it. I don't care what the critics say." But different mediums have a different relationship with the public. If you're in a performing medium it's hard not to place some weight on whether or not people come to your shows, or whether or not they're enjoying them.
As a player, I've always been interested in understanding the coaches' minds, in seeing how they made a group function.
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