A Quote by Doug Baldwin
I give a lot of credit to Darrell Bevell and to Tom Cable for their work and their development of the players that they had that was available to them. They did an extraordinary job, and I do think, as Bevell was our offensive coordinator, we broke every record that the Seahawks had offensively. So there's a lot to be said for that.
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I think we have more good players today [2016] than we've ever had in the game of golf. And I think that's saying a lot because we had a lot of good players when I played. I think you had a bit of a lag in there for a while, that Tiger was just so much better than everybody else that he really didn't put anybody in with him.
And every job that I had was a stepping stone to my next job and I never quit my job until I had my next job. And so opportunities look a lot like work.
I think what I notice now is that a lot of the things that are said to us on camera on air are not particularly believed and quite often not true and its an extraordinary position to be in when you've had WhatsApp messages, text messages off record.
I think, a lot of guys who want to be professional football players, they see the Premiership players, and they see the finished article, but there's a lot of hard work that's gone into their careers for them to get there. There's a lot of sacrifice, and I think people tend to forget that.
Yeah, I had it all mapped out actually. Seriously. I wrote it down. I said, 'When I'm the head coach of the Eagles, I'm going to make sure I get that guy on my team.' And then guy next to me was like, 'You're only the offensive coordinator at New Hampshire.' I said, 'Don't worry about it. Minor details. But it's going to work.'
I did a record with Janet Jackson, and it went to the top of the charts, and we had all of these complications, and she couldn't be in the video and couldn't do anything for the record. I went through something similar with Pitbull. I think it works really well for a lot of other artists, but for me, it just doesn't work that well.
It wasn't easy to get the family to this point. I had to work two jobs. I had all nine kids. I stayed there with them and got them all into show biz. I don't care what anyone else said, I did my job.
We were going to have to experiment, and we needed to develop our younger players. And a lot of the changes were because of injuries. But that's where I give a lot of credit to the group in terms of being able to maintain things.
I won a lot, crashed a lot, and broke just about every bone in my body, but I gave it everything I had
I think there are always a lot of rumours about players from Ajax. We develop great players, not only in Amsterdam but hopefully also in Cape Town, and there is interest in a lot of our players, but we like to keep them for as long as possible.
I've had a lot of great coaches. I think Guus Hiddink and Vicente del Bosque are the ones closest to my style. I'm more friendly with the players than a 'formal' coach. I'm not a professor. I'm Roberto Carlos and I want to win with my players and I want them to help me by doing their job well.
I think parenting these days is definitely different from when a lot of people grew up. As much blame as we give a lot of our kids for what they're not doing... I also try to give them as much credit for dealing with things that we didn't have to deal with. Bullying was one on one and face to face. Now it's all over the Internet.
If you would have told me when I was 24 years old, right before I went with Coach Carroll to USC, you're going to get to be the offensive coordinator for Pete Carroll and then offensive coordinator for Nick Saban, arguably maybe the two best coaches in all of football by the time you're 40 years old, I would have said, 'Where do I sign up?'
There's a lot of unrest. There are a lot of people who are unhappy. I don't want to say I'm their hero, but a lot of people have said that... It's like this in every job, I think. There's certain people who are afforded privileges and maybe, maybe don't deserve them.
When I did the record, I was coming off a time when my contract had been sold and the music industry had changed a lot. I didn't understand how to make records for big labels. I was waiting for a new kind of record label to emerge.
I would give anything if it went back to analog age. I mean, music was so real, and you had to sing everything on a record; you had to play everything on a record. There was no cut-and-paste - you couldn't get the chorus right one time and then paste it every other time; you really had to be good at what you did.
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