A Quote by Doug Benson

Stand-up is a very scary, very solitary profession, but you have to experience it to figure out if it's right for you. — © Doug Benson
Stand-up is a very scary, very solitary profession, but you have to experience it to figure out if it's right for you.
One of the reasons the games business has become more popular and more broadly appealing is that it's gone from this very solitary experience to this very social experience.
It's weird, I love acting and stand-up is a very unique, solitary thing where you are the writer, performer and director. But acting is incredibly rewarding, working and interacting with people to create funny moments. I can't imagine not doing acting or stand-up, I really enjoy both of them that much.
Writing can be a very solitary profession, and when deadlines are looming, it's tempting to glue myself to my desk, but I try to make sure I get out a few times a month with friends just so I don't forget what it means to be social.
We have this yearning to know the answers to the big questions about space and why we're here; we can't evolve fast enough to figure these answers out on our own, but we can do it through artificial intelligence. But there's also some very scary downsides that could come if we don't put the right safety precautions in there.
The stand-up world is very, very hard. There is a lot of competition, and there are not that many venues, and there are not that many opportunities. You have really got to stand out.
I think a lot comes from having the experience of doing stand-up comedy. It allows you to figure out the psychology of an audience; what things are funny and not.
That Dutch style of kickboxing, that's great. That's hard. It's very intimidating to stand across from, but you know it's very rhythmic on the beat. It's just something: It looks scary, but it's nothing to be scared of.
What I've found - and the older I get, the more I understand this and stand behind it - is, my whole life has been an exploration of telling the truth. It's scary to be truthful, and it's scary to reveal yourself, and I'm very attracted to doing things that scare me.
I studied for three years in the theater, and it was a very, very scary experience to direct live, being so vulnerable without the possibility to control things, to be so exposed.
They are very different in terms of the solution. Where 'An Inconvenient Truth,' you really need countries to cooperate and sacrifice and figure out a solution, with 'Fed Up' you can leave the theater and you can be empowered that very night by cooking dinner in your very own kitchen.
It felt like a huge risk when I first started putting my comic online. It was very scary to put myself out there that way and to open up something that I cared about very dearly - and to be the only creator involved with it.
I always loved that solitary experience of making things. There's a solitary aspect to animating... It's ultimately the animator and the puppet coaxing a performance out of it.
I have never directed anything for the stage. I studied for three years in the theater, and it was a very, very scary experience to direct live, being so vulnerable without the possibility to control things, to be so exposed.
I don't care for werewolves. They're all right, I guess, if you go for the shedding, savaging the country-side thing. But they're not very scary nor very sexy and so what's the point?
The image of a pregnant woman embracing her figure and really putting it out there can be scary to some people, but I don't let that stand in my way, and I don't think other women should either.
You know just because the majority thinks something is right, doesn't make it right. So, that is up to us, the people that see the wrong, that see the injustice, that stay educated, stay informed, stay involved. And there's an old phrase 'the squeaky wheel, gets the oil.' Right now, our wheels aren't very squeaky; the other side, they're the ones making all the racket...We just have to get up, stand up, speak out, and don't be silent.
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