A Quote by Doug Benson
I get a message from Stephen Falk saying, "Hey, if I wrote a part for you in You're The Worst, would you do it?" I was like, "Yes!" And then, of course, later I found out it's going to be me playing myself sort of Larry Sanders-style where I'm the total opposite of what people would expect me to be. I was just like, "Okay, what the hell." But it's really funny to portray me as somebody who is pretending to be a stoner just to succeed.
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That dude Stephen Falk that created You're The Worst, he used to work on the show Weeds, and we sort of came across each other then because he's a fan of podcasts, and he would listen to Doug Loves Movies. And then I auditioned for a part on Weeds and didn't get it, but it was an episode that he had written, so it was his idea to bring me in.We just sort of kept in touch. And then eventually, he and other cast members of You're The Worst were guests on Doug Loves Movies.
There was a girl that bullied me years ago, and I was going through, you know, just the standard Instagram wormhole on her account, going way back into her photos and, yes, ended up liking something and I was like, "No!" I just wanted to disconnect my Instagram - Oh, and then she wrote me a message saying, "It's so great to see you doing well." I was like, "Nope, nope, you don't get to say that now!"
People come up to me all the time and say, 'I just found out about you!' Part of me is happy, and part of me is, like, Where the hell have you been?'
I have never had a plan. Things happen to me, and, of course, I make friends who later say, 'Hey, you know who would be good for this? McKean would be good for this.' And they hire me, and if they like me, they hire me again, or the word gets out.
I really don't like watching myself and for the most part I will never watch myself. I worked with Kevin Smith on Yoga Hosers and I really respected the way that he directed. He told me, "It's very important to watch yourself." So he would direct by going, "Hey come over to the screen and watch this scene." And so it was very uncomfortable for me to have to watch myself but then he talked me through the process of that and it was very helpful.
I would like to find, or I would like a part to come to me that is like the part that Dennis Franz was fortunate to be able to play on 'NYPD Blue,' a sort of similar-looking actor to me, a generic, bald white guy who you would often think of as playing the authority figure. But he was the disgruntled middle-man. That would be a fun character.
At the beginning of the Larry Sanders show, you know, we were grateful to get guests. At the end, it was as if we actually were The Tonight Show. People would come on, and it had the same sort of imprimatur as if we were on the air. I've been on a lot of talk shows during that time and since then, and people would come up in the dressing room or in the corridors and say, "You guys got it exactly right." Or they would say, "We have Larry Sanders moments every day."
When I'm on stage, I'm not me playing me. I'm somebody else doing me. I could never go on stage and be like, "Hey, I'm Mike Tyson. My mother and father was in the sex industry." That's the politically correct way to say it, but I would really say, "My mother and father were pimps and whores. This is my life." I could never do that as Mike Tyson. Because I'd feel sorry for myself. But if I could be objective about it and be somebody else, portraying Mike Tyson, saying this story, then it's easy sailing.
I told everyone I would never be an actor. People used to tell me, 'Hey, you got a good look. You should try.' And I was like, 'Nah. That's not me.' And then, the moment I tried it, I found I loved it more than anything in the world, and that taught me a lesson. That is, just go for it.
hat made me feel uncomfortable. People would be like, "Woah, that's crazy!," or they'd look at me really funny, but it also helped because that's how people look at Emily. I was like, "Come on, be sensitive! I have a scar on my face. It's not nice to just stare at somebody." That was really interesting.
If I'm playing music in front of people, I'll lose days to nerves like really wasted days of just like being terrified. And then when I get out there, generally speaking, I enjoy it very much. But it seems to be I have to accept the fact that that's just part of the deal for me. And I can't just run on and do it.
I'd really like people to see me as a real actress, which I am, but they don't. It's hard to get them to see me as a musician, they just see me as a hanger-on to the Stones, which is not what I am at all. It's a good idea, and if something like that would turn up I could do a whole television show. I've thought about playing a landlady, sort of a mad '60s lady, this absolutely insane character. I would love it. It's a great idea.
I'm just going to be myself; there's no reason for me to try and go out there and put a certain facade on or emphasize, 'Hey, I'm this. You need to believe it.' I just want to be the best that I can be, and if people like me, that's great, and if they don't, they don't.
I was very depressed when I was 19... I would go back to my apartment every day and I would just sit there. It was quiet and it was lonely. It was still. It was just my piano and myself. I had a television and I would leave it on all the time just to feel like somebody was hanging out with me.
WHAT WOULD HAVE HAPPENED IF YOU HADN'T SAVED HIM? "Yes! The sun would have risen just the same, yes?" NO "Oh, come on. You can't expect me to believe that. It's an astronomical fact." THE SUN WOULD NOT HAVE RISEN. ... "Really? Then what would have happened, pray?" A MERE BALL OF FLAMING GAS WOULD HAVE ILLUMINATED THE WORLD.
I like doing what I do, but I like having the opportunity to do different things, and obviously comedy would be a fun jump. I've just been lucky enough to stay working. In my case, playing intense roles or playing character roles is something that people will hire me for, but yeah, I'd like somebody to think I'm funny. I guess we all do, right?
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