A Quote by Doug Benson
[Deadpool] is definitely squirm-inducing. It's a pretty hard R, violence-wise. But cartoony, also. Maybe fast-forward through to torture scenes.
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The Railway Man was a particularly intense and immersive experience. I definitely got carried away. I lost about 35 pounds. I really was incredibly skinny and also quite unwell while we were filming. It wasn't very healthy. I don't recommend it. But then also doing the torture scenes, the water boarding stuff, there wasn't really any other way just to do it really.
Torture is senseless violence, born in fear... torture costs human lives but does not save them. We would almost be too lucky if these crimes were the work of savages: the truth is that torture makes torturers.
The pleasantly crude 'Hall Pass' reminds us of what's been missing from movies: Those squirm-inducing moments in comedy that produce enough discomfort that, at points, what we're watching is half a heartbeat away from a horror film.
No matter how bad you make the torture scenes, the reality was much worse. Because you cannot put on screen 70 days and nights with no sleep. And this is the easiest part of the torture.
Both as a filmmaker and as a fan I love the behind-the-scenes stuff, I like it even more than deleted scenes frankly. Especially when you're happy with the movie and you're proud of it, those deleted scenes give you also a sense of the making of the film and the process through which you end up with the final product.
In England everything is liberalised. Within certain boundaries and rules everybody can do what he likes. Maybe London's society has a different tempo, a different dynamic. London is fast, productive, creative but it is not England. If you want to transfer that to football, you could say: in the four big English clubs and maybe in the one or two behind them there is a top level. Everything that comes after that rather mirrors English society. It's honest, fair and hard, sometimes also fast, but not always so perfect.
I try to stay away from stuff that's just action, action, action, action, action, and you kind of fast-forward through the dialogue scenes. I'm not interested in doing that. Give me a reason to fight, and I'll go there. But don't just make it, 'You touched my pen! Haaa-yah!' I've done that before.
Ryan is Deadpool. Look, Ryan Reynolds, he's gone through that same career arc; the guy is ridiculously talented. He has a huge, huge passion for 'Deadpool.'
My Latin temper blows up pretty fast, but it goes down just as fast. Maybe that's why you seldom hear of ulcers in Latin America.
Filming is physically and emotionally hard, especially acting in something like this, where we go into the honest feelings of these people. But it's also very exciting because there's an adrenaline that's pumping (through you) when you're doing these scenes.
I think I've lived a pretty hard life. What I mean by hard is that... I've been kind of reckless with things. I'm a passionate person. I'm a super passionate person. I think there's definitely been sorrow in my life, good and bad. I think it comes through. I hope it comes through in my writing because to me that's what artistry is.
People continued regardless of all that leads man forward to try to unite the incompatibles:;: the virtue of love, and what is opposed to love, namely, the restraining of evil by violence. And such a teaching, despite its inner contradiction, was so firmly established that the very people who recognize love as a virtue accept as lawful at the same time an order of life based on violence and allowing men not merely to torture but even to kill one another.
I definitely work pretty hard to stay present and focused. I've also tried to create a life for myself where I'm surrounded by honest, loyal, and funny people, because I like to laugh.
Farm workers everywhere are angry and worried that we cannot win without violence. We have proved it before through persistence, hard work, faith and willingness to sacrifice. We can win and keep our own self-respect and build a great union that will secure the spirit of all people if we do it through a re-dedication and re-commitment to the struggle for justice through non-violence.
But hope got in, no matter how hard and fast I tried to stomp it out. Like these tiny fire ants we used to get in Portland. No matter how fast you liked them, there were always more, a steady stream of them, resistant, ever-multiplying. Maybe, the hope said. Maybe.
I was charging forward too hard, into too many war zones, working too long, drinking too heavily, pushing forward, pushing forward. And who knows, had this not happened, maybe I would have been one of the casualties as a journalist covering the war. Who knows, maybe I would have been captured and tortured somewhere along the line, because I always pushed things to the limit.
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