A Quote by Doug Dawson
If you look closely at any face, you'll start to see that different areas of the flesh tones are tinged with four other colors - red, green, purple and yellow.
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If I tell you purple look good on you, and you ain't never wore purple, your favorite colors are red and green, and you're like, No man, these my colors. You won't know purple is your color until you try it on.
For dinner, I have at least four or five different vegetables of all colors: purple, orange, green and red. I eat as many colors as possible, including carrots, broccolini, asparagus, cauliflower, kale and more.
It's untrue to say the colors I use are not those of reality. They are real: The red I use is red; the green, green; blue, blue; and yellow, yellow. It's a matter of arranging them differently from the way I find them, but they are always real colors. So it's not true that when I tint a road or a wall, they become unreal. They stay real, though colored differently for my scene.
I see music in colours. I love music that's black, pink, purple or red - but I hate music that's green, yellow or brown.
Wait, I want more green. I hope I did not imply I only wanted your colors. We can't turn a cold shoulder to green, and blue, and purple, for the sake of all ordered things, how can you dismiss purple? Celi, call Nom back and tell him of my need for purple!
I was wondering about my eyes; one of my eyes--the left--saw everything golden and yellow and orange, and the other eye saw shades of blue and grey and green; perhaps one eye was for daylight and the other was for night. If everyone in the world saw different colors from different eyes there might be a great many new colors still to be invented.
I like light green, sometimes red is fun to look at, not a fan of yellow, unless it's in a rainbow or on a coffee mug or on a happy face.
My metaphor for acting in movies - not on stage because it's completely different on stage - is to put colors on an easel for the director to paint his own painting with in the editing room, long after I've left. You buy me for red and black, so I better give you really great red and black, but if I can give you purple, pink, green and brown too, I will.
We've been in a war and a recession. That's why acccent colors with yellow and purple are popular. They're optimistic and flirty and happy colors.
The brief flashbacks are sun-kissed, summery and optimistic. It's the only place in the movie you will see red, yellow, orange, or any vibrant colors.
Maybe it's because I'm a designer, but when I am in a state of excitement, everything is so sharp and colorful and amazing, and I can look at blue and I see the yellow in it and the green in it, and the green-blues, the yellow-blues, so.
Every Valentine's Day, the student council sponsered a holiday fundraiser by selling roses that would be delievered in class. The roses came in four colors:white, yellow, red, pink, and the subtleties of thier meaning were parsed and analyzed by the female population to no end. Mimi had always understood it thus:white for love, yellow for friendship, red for passion, and pink for a secret crush.
When I recollect her, I see a long list of colors, but it's the three in which I saw her in the flesh that resonate the most. Sometimes I manage to float far above those three moments. I hang suspended, until a septic truth bleeds toward clarity. That's when I see them formulate: THE COLORS RED: [rectangle] WHITE: [circle] BLACK: [swastika] They fall on top of each other. The scribbled signature black, onto the blinding global white, onto the thick soupy red.
Nyquil comes in two colors, red and green, and it's the only thing on the planet that tastes like red and green.
If we seek for the simplest arrangement, which would enable it [the eye] to receive and discriminate the impressions of the different parts of the spectrum, we may suppose three distinct sensations only to be excited by the rays of the three principal pure colours, falling on any given point of the retina, the red, the green, and the violet; while the rays occupying the intermediate spaces are capable of producing mixed sensations, the yellow those which belong to the red and green, and the blue those which belong to the green and violet.
Purple and yellow are my colors.
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