A Quote by Doug E. Fresh

I'm forever learning and that's why I'm always able to create new styles and new dimensions of hip-hop. — © Doug E. Fresh
I'm forever learning and that's why I'm always able to create new styles and new dimensions of hip-hop.
Hip-hop artist, especially the older ones, are the ones who new hip-hop was a worldwide phenomenon before the mainstream caught on, so hip-hop artists are forward thinkers. We want to stay with the new.
Coming up, you [got new] sneakers and you had to run outside to make sure everyone saw. It was on display. That's just part of Hip Hop culture, part of the competitive spirit of Hip Hop. This is not new, I don't believe it's new.
The question 'Why white kids love hip-hop?' forces us immediately to deal with the historical weight of race in America. On the surface people see hip-hop and race as nothing new. I think the ways young white Americans are engaging hip-hop suggest something more.
Hip-hop originated from the Bronx specifically; that means everything. I'm down the block from where hip-hop was born and raised, so I'm glad I am here and I'm able to represent New York the way I am.
Hip-hop artists, especially the older ones, are the ones who knew hip-hop was a worldwide phenomenon before the mainstream caught on, so hip-hop artists are forward thinkers. We want to stay with the new.
When hip-hop was new and raw, it was all about being an MC. You wanted to be respected as a lyricist. But as the years passed and hip-hop became big business, hip-hop became like country, rock and pop. And so you now have people who write the songs for rappers.
First off, I absolutely hate the term 'trip-hop.' It was a term that made it seemed like I was trying to turn the music into something else. I was always influenced by New York hip-hop, since forever, since I was a kid.
I think it's a tribute to the artistic importance of hip-hop culture and what hip-hop has brought into music and fashion and jewelry that it is being adapted or imitated or is inspiring variations or new types of art or new types of music.
My father was a musician, and I've always loved writing. I grew up in New York City during a time when hip hop music was surrounding you with the hip hop culture, and it felt natural. I was a really huge fan of the music.
One of the problems with hip hop is lack of infrastructure and not being able to control its own course. I don't like that hip hop is full of infantile 35-year-olds. Hip hop cannot afford to be lazy.
Hip Hop was supposed to be this new thing that had no boundaries and was so different to everyday music. As long as it has soul to it, hip hop can live on.
I think hip hop is dead. It's all pop now. If you call it hip hop, then you need to stop. Hip hop was a movement. Hip hop was a culture. Hip hop was a way of life. It's all commercial now.
Hip is to know, it's a form of intelligence. To be hip is to be update and relevant. Hop is a form of movement, you can't just observe a hop, you gotta hop up and do it. Hip and hop is more than music Hip is the Knowledge, hop is the Movement. Hip and Hop is Intelligent movement
Some artists are definitely trying to do different styles. Some, not a lot. But even from what you've seen [of] Outkast, Kanye West, and Lil' Wayne, and different people expressing their way of evolving in hip-hop. In the evolution of hip-hop, they're doing different things. And you've seen hip-hop have more of a global presence and impact on the world.
I've always been able to do sprinkles of hip-hop here and there in all my albums, but I'm not sure how my fans are gonna feel about coming out first with something that's so hip-hop.
I had no idea how much the stuff I was doing was affecting people outside Oakland. At the time, also, hip hop wasn't able to tour because all these clubs that let hip hop come in now, they would never have let hip hop come in.
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