My favorite song to play is 'Smokin' by Boston. I actually had a chance to play that with the band Boston live.
I can tell you that I can always recognize a Boston song, even if it's in a noisy place. I can hear that it's Boston even before I know what song it is. If a Boston song comes on in a club or somewhere, I notice that it's Boston, and the second thing I notice is what song it is.
All Boston songs are fairly difficult to translate to the stage. None of them are especially easy to play or sing. A lot of them, of course, have very involved arrangements with lots of different sounds and sections that are difficult to play and sing. The prospect of doing any Boston song live is always an endeavor in itself.
I think it's very important to be part of the Boston society and the people who live in Boston.
I started freelancing for Serious Eats while I was still living in Boston. I was born there, grew up in New York City, but went back to Boston for school, and then I lived in Boston for about ten years.
'Frayed Ends Of Sanity' off the 'Justice' album is a song that I really wanted to play with the band, and for years and years, I was always like, 'Let's play this song!' But I'll tell you something: I started working on that song almost from the very first time I joined the band.
I had my boy in Boston on Easter Sunday. That kills me, from a sports perspective. He's a Boston baby and I'm a New York guy.
I'm from Boston, and in Boston, you are born with a baseball bat in your hand. And actually, most of the bats in Massachusetts are used off the field instead of on the field, and we all had baseball bats in our cars in high school.
I ain't got no problem in Boston, I especially like the attention. I know that I'm one of the top guys in this game and all the attention is on me, I got a lot of people on my shoulder but I'm human. I like to go. I like to have fun. I like to do this and that but I gotta represent Boston and the Red Sox in every way that I do outside this game. ... Like I said I get paid to play baseball no [matter] where I go to play I still gotta go and perform even if I like it or not.
It's terrifying to play your favorite band's song in front of your favorite band.
The Red Sox are a religion. Every year we re-enact the agony and the temptation in the Garden. Baseball child's play? Hell, up here in Boston it's a passion play.
I always knew I could play, but it wasn't likely to happen in Boston. I'm grateful to the Red Sox for trading me and to the Marlins for giving me the chance.
I stay very much undercover and behind the scenes - most places I go, people don't know how important I am. But I will admit that my favorite piece of clothing to wear out is an old T-shirt from a Boston tour that does have a Boston logo. But that doesn't change anything.
I lived to play basketball. Growing up as a kid, Bill Russell and the Boston Celtics were my favorite team. The way they played, the teamwork, the sacrifice, the commitment, the joy, the camaraderie, the relationship with the fans.
My dad was all about music. He was a musician, leading a band when I was born. His band was active all through the 40s. He'd started it in the late 20s and 30s. According to the scrapbook, his band was doing quite well around the Boston area. During the Depression they were on radio. It was a jazz-oriented band. He was a trumpet player, and he wrote and arranged for the band. He taught me how to play the piano and read music, and taught me what he knew of standard tunes and so forth. It was a fantastic way to come up in music.
All you gotta do is think of the song in your head. And it doesn't matter whether you can play it or not, you can get somebody to play it. With songs I've written, there's a song called "The Statue", which I can't play. There are songs that I've written that I've actually just hummed on - there's a song on one of the albums they have there on the Internet called "My Love Was True" and it's almost operatic. I can't play it. But I can sing it.