A Quote by Doug Harvey
If you're a photographer, they give you a camera. If you're a writer, they give you a typewriter. If you're an umpire, they give you an unseen object and they call it a strike zone, and nobody seems to agree with you no matter what you call.
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Give Me Strength This is my prayer to thee, my lord---strike, strike at the root of penury in my heart. Give me the strength lightly to bear my joys and sorrows. Give me the strength to make my love fruitful in service. Give me the strength never to disown the poor or bend my knees before insolent might. Give me the strength to raise my mind high above daily trifles. And give me the strength to surrender my strength to thy will with love.
Give children beauty, not the record of bloody slaughters and barbarous brawls, as they call history, or of the latitude and longitude of places nobody cares to visit, as they call geography.
Behind every specific call, whether it is to teach or preach or write or encourage or comfort, there is a deeper call that gives shape to the first: the call to give ourselves away - the call to die.
If you agree with some tenets of Objectivism, but disagree with others, do not call yourself an Objectivist; give proper authorship credit for the parts you agree with
I give money to everybody. When they call, I give. And you know what, when I need something from them two years later, three years later, I call them and they are there for me.
Number one, from a tackling standpoint, we teach strike zone hits, and we want to hit absolutely as hard as we can in that strike zone, and that's absolutely what we call a batter in the batters box from the chest all the way down to the knees.
Give plenty of what is given to you, And listen to pity's call. Don't think the little you give is great, And the much you get is small.
It doesn’t matter if you use a box camera or a Leica, the important thing is what motivates you when you are photographing. What I have tried to do is involve the people I was photographing. To have them realize without saying so, that it was up to them to give me whatever they wanted to give me . . . if they were willing to give, I was willing to photograph.
Show me a man or a woman alone and I'll show you a saint. Give me two and they'll fall in love. Give me three and they'll invent the charming thing we call 'society'. Give me four and they'll build a pyramid. Give me five and they'll make one an outcast. Give me six and they'll reinvent prejudice. Give me seven and in seven years they'll reinvent warfare. Man may have been made in the image of God, but human society was made in the image of His opposite number, and is always trying to get back home.
Money is not the only commodity that is fun to give. We can give time, we can give our expertise, we can give our love or simply give a smile. What does that cost? The point is, none of us can ever run out of something worthwhile to give.
The aloha spirit is real simple. You give and you give and you give . . . and you give from here (the heart), until you have nothing else to give.
When I got the camera on the shoulder, they give me a nickname. They call me 'the tripod' because I'm kind of short and kind of strong. So if I take the camera and I lock myself, you think that you're on a crane.
It is explained that all relationships require a little give and take. This is untrue. Any partnership demands that we give and give and give and at the last, as we flop into our graves exhausted, we are told that we didn't give enough.
Every night on my show, The Colbert Report, I speak straight from the gut, okay? I give people the truth, unfiltered by rational argument. I call it "The No Fact Zone.
I write by myself and then deliver the song. Everybody knows, 'Leave Ester alone when she's in her zone.' Give me a studio and the tracks, and I'll call you when the doctor is done.
What some highbrows call rapport is nothing more than a mild flirtation between photographer and the girl on the other side of the camera. Some models get so professional they can send hours flirting with the camera itself while the poor photographer is reduced to the role of spectator.
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