A Quote by Doug Larson
Utility is when you have one telephone, luxury is when you have two, opulence is when you have three - and paradise is when you have none.
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Utility is when you have one telephone, luxury is when you have two, and paradise is when you have none.
Protection is the first necessity of opulence and luxury.
The difference between utility and utility plus beauty is the difference between telephone wires and the spider web.
Santa Barbara is a paradise; Disneyland is a paradise; the U.S. is a paradise. Paradise is just paradise. Mournful, monotonous, and superficial though it may be, it is paradise. There is no other.
I saw the years of my life spaced along a road in the form of telephone poles threaded together by wires. I counted one, two, three... nineteen telephone poles, and then the wires dangled into space, and try as I would, I couldn't see a single pole beyond the nineteenth.
I'm just auditioning. I've only gotten directly offered two or three movies, ever. I don't have the luxury of being able to say no a lot, and I don't really have the luxury of just getting to pick and choose certain things.
A new friend is always a miracle, but at thirty-three years old, such a bird of paradise rising in the sage-brush was an avatar. One friend in a lifetime is much; two are many; three are hardly
I've only gotten directly offered two or three movies, ever. I don't have the luxury of being able to say no a lot, and I don't really have the luxury of just getting to pick and choose certain things. If I did, I probably would choose even more different roles than I've played.
An American critic wrote that she would rather be forced to read the New York telephone directory three times than watch the film A Zed and Two Noughts, a third of which was a homage to Vermeer. Conceivably, if you are a list-enthusiast like me, the New York telephone directory might be fascinating, demographically, geographically, historically, typographically, cartographically; but I am sure no compliment was intended.
The opulence and grandeur of a lot of period drama really helps you get into character and appreciate the luxury of good quality. If you're fashion-minded in any way, you can't help but be incredibly inspired and apply elements to your own style.
According to the celestial multiplication table, once one is three, and three times one is one, and according to heavenly subtraction if we take two from three, three are left. The addition is equally peculiar, if we add two to one we have but one. Each one is equal to himself and the other two.
In married life three is company and two none.
To illustrate to the Indians the advantages the white race had in the telephone I divided a body of warriors from Sitting Bull's camp into two parties and had them talk to each other over the telephone line.
I suffered, I really suffered, with all three of my husbands. And I tried damn hard with all three, starting each marriage certain that it was going to last until the end of my life. Yet none of them lasted more than a year or two.
It is commonly asserted and accepted that Paradise Lost is among the two or three greatest English poems; it may justly be taken as the type of supreme poetic achievement in our literature.
At no period of [Michael Faraday's] unmatched career was he interested in utility. He was absorbed in disentangling the riddles of the universe, at first chemical riddles, in later periods, physical riddles. As far as he cared, the question of utility was never raised. Any suspicion of utility would have restricted his restless curiosity. In the end, utility resulted, but it was never a criterion to which his ceaseless experimentation could be subjected.
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