A Quote by Doug Martsch
If you know that someone is going to hear what you're doing, you're always going to be self-conscious about it. In a way that's good; it spurs you on.
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Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.
It's kind of a rule of thumb for me to self-doubt going into any kind of project. I always think that I shouldn't be doing it and I don't know how to do it and I'm going to fail and that I fooled them. I always try to find a way out.
I'm way more worried on my future well-being, and my kids, and my family, where we are going to live and what we are going to do, than what is going to happen with the Spurs. With all due respect, of course. I love the franchise, and I'm probably going to be attached in some way.
Now you know you're going to have to play music for the label, you know you're going to have to get an opinion from the manager. Now, I'm so much more conscious and it bothers me. I try to find my way back to writing without being too analytical or not thinking about whether this is good or is it bad.
People have so many expectations when they go out on stage, so many wishes about what their night is going to be: if they're going to meet that person, have a fun time with their friends, have a good high, hear good music. People get drunk and turn into themselves in a way, and they go to experience some kind of emotion. But it's not always about fun. There's a destructive side to it. But I'm more into the empowerment of going out, because it's always been the place where I could be myself and get inspired. Even if I'm sad, dancing is a way to let stuff out.
If you're up there [on stage] thinking about what you're doing, you're just not there and it's not going to happen.So trying to learn how to overcome those - which is a normal thing to do. You're in front of a lot of people. People are going to get very self-conscious. So you have to learn to sort of overcome that tendency towards self-consciousness and just blow it wide open. And you jump in and join all those people that are out there enjoying what you're doing together.
I used to be super self-conscious about my height. I mean, going everywhere and someone just looking at you - you're never not in the spotlight.
A lot of times, when doing the paranormal research and doing an investigation, you don't know what you're going to encounter. You don't know what you're going to come up against. People have to realize that we don't know them and they don't know us. I'm talking about the people that live in the homes. Sometimes you don't know what you're going to encounter, what type of situation you're going to walk into.
They're going to come to me and they're going to say numbers for three years and I'm going to use my division and if it sounds good when I hear it, then I'll take it. But I'm not going to say I'll take less (than the max) . . . Put it this way. I won't take a BMW from somebody when I know I can get a Maybach from somewhere else.
If everybody else your age is doing something very different than what you're doing, there's always going to be someone saying to you you might not succeed with it, you might not make any money with that... there's always going to be some type of obstacle in the way. All of those things will go away if you really focus on what makes you happy.
Every time you hear someone read your book and liked your book, you're never sure whether that's going to follow with a similar remark from someone else. Perhaps I have low expectations, but whenever I hear someone say, 'I liked your book,' I don't know if it's going to happen again.
It's very nerve-wracking dressing someone because you obviously do everything you can to get them to be interested in something you've done, and then you hear they're wearing it, and then, obviously, they're going to step out in it, and you want to know that it's all going to work and what everybody's going to say about it.
I usually know when I take the picture. There's always some kind of un-self-conscious thing going on, so that it doesn't look like they're there for the sake of having their portrait taken.
If the only way you can do well is working more hours than someone else, you're going to lose out because there's always going to be someone who is going to work more.
You just want someone that you're going to get on with. That is genuinely the first priority. Even before how good they are, you want someone that you know you're going to have a laugh with and that the journey is going to be OK between the two of you.
There's something about prime time television and the way the song is going to come off on the air. I'm very concerned, very self-conscious about that.
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