A Quote by Doug Martsch
If people like electronic music, then great - let that be the next thing. I don't think I ever really will, but there's plenty of records for me to go buy.
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I like how our records go from super poppy to heavy then electronic, and next I'd like to make a bunch of records where each of them has a distinct vibe to it.
Once you feel that you've learned some skills and you know how to make records, the next thing is, "Do we ever get to make one that people will really like?" Because then we'll have something to do.
The good thing, really, is that electronic music started as a fringe subculture, and now it's the biggest youth culture in the world. People pretty much everywhere go crazy for electronic music.
Up until the rise of electronic music, if you were a musician in Portugal or Germany or Italy or Japan, and you didn't sing in English, you really were limited: You could be successful in the country where people understood your language. The world of electronic music is completely international. You have DJs from Finland making huge records for people in New Zealand, DJs in South Korea making huge records for people in France. By the fact that it doesn't cost anything to make, and that it transcends language, nation it accidentally accomplishes a lot of really remarkable things.
When I go to buy a book, I always ask if it is right for me at this time, something I need right now. I think a lot of people go out and buy books because they love to read. They read it really fast and then move on to the next book. I don't do that.
If I ever really felt depressed, I would just start putting on all my old records that I played as a kid, because the whole thing that really lifted me then still lifted me during those other times. It was good medicine for me, and it still does that for me when I put something on. Isn't it wonderful that we've got all that good medicine? I think it's got to be all part of our DNA, this mass communication through music. That's what it is. It's got to be, hasn't it? Music is the one thing that has been consistently there for me. It hasn't let me down.
I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.
People like to compartmentalise music, especially African-American music, but it's really one thing. One very wide thing. I mean, it's like all those great records by Marvin Gaye and James Brown back in the day - there are tonnes of jazz musicians playing on them.
Throughout my years in From First to Last, I was always dabbling and making electronic music on my own time. The first records I ever owned were crossover electronic rock, like Prodigy, Marilyn Manson and Nine Inch Nails.
Twelve years ago me and Allanah became really sick of writing pop songs, ... Eventually we dug a grave for the Thompson Twins, pushed them in there, and then moved to New Zealand. Before that I'd lived for a long time in south London where reggae was the music of the streets around me. You'd hear it booming out of people's windows and shops, and you could buy great old reggae singles for 50p (NZ1.30) in second hand shops. I'd always loved that sound, so soon after we got here I started making electronic dub records with my mate Rakai Karaitiana as International Observer.
I see myself as real. Like I mean if I was the President I would have a responsibility, because people put me there. Nobody put me here. They just buy my records. They wouldn't buy my records if my records wasn't good. I'm being who i am in the record.
People think it is all about country music, and I know a lot of country music has come out of there, but like Blonde on Blonde by Bob Dillon was recorded there. A lot of great records; R&B records, jazz records. It's a lot of great players and great studios.
You may get an emotional thrill when you first buy something, but emotions are fickle. You buy that one thing you think will complete your happiness, but after awhile the feeling goes away and you have to go to the next thing. You just keep going from purchase to purchase looking for the one thing that will finally satisfy. But stuff can't satisfy.
I am a big fan of the electronic book. I hate to see the old bookstores close, but they have to reinvent themselves. I believe the First Edition bookstore will be the next thing. People will read electronically, then decide they want to own that book. The author will then be invited to the old bookstores to sign. I think books will always be with us, but they will fill a different need.
I don't really know how accepted I am. Nothing ever matters to me apart from the people with negative opinions. That's literally it. That always drives me on to the next thing. It's funny, you just focus on them and then the next movie. That's the only thing you're thinking about when it comes out.
People always focus on people like me who use synthesizers, right, which are explicitly electronic and therefore obvious. "Ah, yes, that's electronic music." But they don't realize that so is the concept of actually taking a piece of extant music and literally re-collaging it, taking chunks out and changing the dynamics radically and creating new rhythmic structures with echo and all that. That's real electronic music, as far as I'm concerned.
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