A Quote by Doug Martsch
Sometimes songs need extra time and space to really play themselves out, and some songs it's like, this is all you need, a straightforward thing.
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Here's some free advice; like the folkies of yore, you need to be not just a writer of songs, you need to be a lover of songs, a listener of songs and a collector of songs. If you hear a song in a club that knocks you out or you hear an old recording of a great song you never knew existed, it does not diminish you to record it; it actually exalts you because you have brought a great song from obscurity to the ear of the public.
I know I'm stronger in the songs than I really am. Sometimes I need to hear it myself. We all need to hear those empowering songs to remind us.
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
I've always thought that a lot of really good writers go wrong by getting so into the craft and the technique and perfection. Perfection can be the enemy sometimes. Some songs don't need to be told perfectly. Life is messy and has loose ends, and sometimes I think the songs should reflect that.
The artist thing is just natural. If that comes out, the music, the songs, I need some actual time which I dedicate to it. But I don't have to sit down eight hours a day in order to get out what I need to create. That is just always bubbeling inside and than evetually it just comes out.
Twelve to seventeen minutes is plenty on the treadmill--if it's done fast. That's all you need for cardiovascular benefit. You don't need to spend that extra time unless you are over weight and you need to burn off extra calories. Do it vigorously, like somebody is chasing you. You've got to do it hard. Otherwise, if you just take it easy and do it longer, you are spending all that time when you don't need it. Use that extra time with your weights instead.
I also don't like to make really big records, because I feel then that the songs don't get enough space to be themselves, so I would never want to make a record that's like seventeen songs.
Before we really started writing our own songs in the James Gang, we'd play covers, and then, in the middle of them, we'd go for a jam for four or five minutes. At some point, we had six or seven of those sections, and we didn't need to cover other people's songs anymore.
Songs need to have the ability to change and to grow for sure. They take on lives of their own. Some songs just don't have that capacity. They're locked within a period of time. And as soon as you take them out of that period of time, they die very quickly.
When you love what you do, you just really fall in love with it. Sometimes you record a lot more songs than the album will even hold. You record like 300 songs and only 12 songs go on the album. It takes time. But if you love what you do, it works out.
With great artists like Elvis, sometimes the songs weren't the greatest thing about him. When I tried to perform some of the songs, I noticed some of the tunes weren't all that brilliant, but it was the performance that sold them.
I don't need to edit names out of songs and I don't need to edit details out of my songs because I've always been able to be honest with my music. That's the one place where I'm never ever going to change how I do things.
Most people like the sad songs. Some of the oldest songs known to man are sad. Listening to a voice singing something sad is a really great way to help you to feel sad when you need to.
I don't really like over-explaining the songs. Everyone constantly asks what the songs are about, and I think the thing is that the songs definitely all have stories in them; it's just nice to let people decide what they are. I think it's important that people hear it themselves rather than having me annotate it.
I really like narrative songs, but I wonder if that's a thing for some people. Once they've heard the story, do they really need to hear the story again?
When you put a new show out, you always have a few kinks that you need to iron out, and you need to dial your show in. You figure out over a couple of weeks what songs work well together and what songs may not have the impact you thought they would at that spot in the show.
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