A Quote by Doug Stanhope
A real cop fights real crime. A vice cop's only job is to ruin the party.
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I'm not going to complain about playing a cop, there's a cop in every country town in this place. Policing the world and the community is a difficult job, because you get it wrong some times. I couldn't do it for real.
If I play a cop, it's always a racist cop or a trigger-happy cop or a crooked cop - but by and large I play cowboys, bikers, and convicts.
I love cop shows and crime books and thrillers, and before I die I'm gonna play a cop.
If Anderson was the good cop, and Blake was the bad cop, Jamaal was the complete psycho cop.
If I see a cop, it's not like, 'Oh, there's a cop who's gonna keep me safe.' It's more, 'There's a cop who might be having a bad day, so don't make eye contact.'
With a face like this, there aren't a lot of lawyers or priest roles coming my way. I've gotta face that was meant for a mug shot and that's what I've been doing for the past thirty years. If I play a cop, it's always a racist cop, or a trigger-happy cop or a crooked cop - but by and large I play cowboys, bikers, and convicts.
My parenting style could be described as not good cop or bad cop so much as nervous cop. I'm always yelling for somebody to stop because they're about to get hurt. I'm the take a jacket, slow down guy.
My parents did the whole good-cop/bad-cop thing - Dad was the bad cop, and Mom was the good cop. I remember my father saying, 'I'm his father, not his friend.' That kind of stuck with me.
There's really no such thing as an 'ex-cop' or a cop who's 'off-duty' or 'retired.' Once trained, once indoctrinated, a cop is always alert, assessing reality in terms of its potential for illegal acts.
There are a couple of specific things about the show [Into the Badlands]. We didn't want to do a contemporary show, which is always "Chinese cop comes to New York, teams up with racist cop, together they fight crime..."
If you're driving, and a cop is behind you, you automatically think they're going to pull you over, but cops have so much more going on than to think about pulling you over. The last thing a real cop wants to do is write a ticket. That's the truth.
I don't know what it is about me and this cop thing, but I get a lot of cop offers. Everyone always assumes that I'm someone on the force, but as long as they are paying me, I will play a cop until the day I die.
I've been called a point guard, I've been called a traffic cop, I've been called a ringmaster, a lion tamer, whatever. And I guess the thing about the traffic cop is I'm more of a rogue traffic cop because a good traffic cop doesn't want any fender benders.
There is no such thing as a bad cop, only disturbing and dominant cop thinking that will invariably lead to excessive force and tragic outcomes.
I like to stay within the context of the character's background. If he's a cop, I have to make sure the audience is convinced that this person, a cop, can do only so much without a gun.
In 'Dhil,' my character wants to become a cop, and those who want to become cops have a small waist. In 'Saamy,' where I play a cop, my waist is thicker. Because after you become a cop, that's how you look.
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