A Quote by Doug Stanton
I wanted to write 'In Harm's Way' from the young men's point of view of being in a raft, or hanging in a life vest with just their nose poking above the water.
Related Quotes
It's to a writer's advantage to contain within himself elements of each sex, or any sex. It's to his advantage because it makes him able to write from the female point of view as well as the male. In some cases, of course, you will find some homosexual writers who can only write from a f - - -'s point of view. But I don't regard myself as a f - - -! Some people may. Also audiences wanted escapism. They don't like too much protest or criticism of their way of life.
I write songs from the point of view I had at a time;I'm not tryingto write songs from a young person's point of view.That only ends in disaster.
I write from what I take to be the realist's point of view, looking at life as it really is - or the way I see it to be.
For me, no matter how serious the subject is, when I try to write about it, I have to write about it from a comic point of view. It's just the way it comes out.
Literature is my life of course, but from an ontological point of view. From an existential point of view, I like being a teacher.
Despite being a classical musician, I keep poking my nose in other genres of music.
But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.
My readers often tell me that what they admire about my books is my ability to write from so many points of view. My challenge to myself is whether I'll ever be able to write a novel just from one point of view. It seems impossible.
I think there's so many points of view that you want to make sure your stories are being told from men and women... you get all of the different backgrounds. You don't want every story being told from the same point of view. So just for better storytelling, I'm like, 'Yes, please, bring some more ladies on.'
I have a point of view on the issues, but it's a complex point of view that really can't be summed up in a sentence or two. I'm not being intentionally vague or mushy, it's just that - in my mind - the real answer is complicated.
I wanted the ending of 'Water Lilies' to be open, so that everyone can have their point of view about what will happen to the girls.
I wanted to show life and to see ourselves and our behaviour through an outsider's eye... from the point of view of someone who knows nothing about being a human being... He doesn't have the feelings that the rest of us do.
I've reached a point in life where it would be easy to let down my guard and write simple imagistic poems. But I don't want to write poems that aren't necessary. I want to write poems that matter, that have an interesting point of view.
I don’t have anger towards women. It’s the first script I wrote, I was really young. I got older. It’s told from an angry point-of-view. Young men are crazy strange emotional beings.
I have expressed some ideas that point to the center; I have saluted the dawn in my way, from my point of view. He who knows the way should do the same, in his way, and from his point of view.
I wanted to be a musician. I just wanted to be famous because I wanted to escape from what I felt was my limitation in life... And I wanted to write music, and I didn’t know what I was doing and I never had the technique or understanding of it... But I’ve always played the piano and I can improvise on the piano, but the problem is that I can’t write down what I write. I can read music but I can’t write numbers.
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